Meandering Curious Reader

Category: Social History

  • Nordic Noir: Crime, Cinema & Social Democracy

    Nordic Noir: Crime, Cinema & Social Democracy

    Although the Scandinavian Department at University College London coined the term Nordic Noir in 2010, the genre dates back to the mid 1960s. It began with the Martin Beck novels by Maj Sjöwall and Per Wahlöö, partners who wrote together at a kitchen table after putting the children to bed.

    The books quickly became an international sensation, and the couple released a new book each year (10 in all). They were as popular in America as in Europe. Still, I wonder how many American readers realised that the books were written by Marxists, as a harsh critique of capitalist society.

    The protagonist, Martin Beck, set the tone for most future Nordic Noir characters: deeply human, empathetic, melancholic, flawed – with a messy home life. This contrasted sharply with the US model cop of the time, who was hard-bitten, a maverick, sexist and shrugged off shootouts as if they were nothing.

    This was the era of Dirty Harry and The French Connection’s ‘Popeye’ Doyle. Doyle was a flagrantly prejudiced, womanising alcoholic, and Dirty Harry was worse. Roger Ebert described Harry’s character as fascist.

    When ‘The Laughing Policeman’, the fourth Martin Beck novel, came out, the American director and producer Stuart Rosenberg decided to adapt it for American audiences. He changed the main character’s name to Jake Martin and turned him into a gritty American street cop. For readers of the book, this was jarring. It was the exact opposite of what Sjöwall and Wahlöö were trying to convey.

    This divergence is an inflexion point that contrasts Sweden’s social-democratic values with an increasingly rightward-leaning US. It contrasts the pursuit of societal cohesion with winner-takes-all individualism.

    At the same time, as Martin Beck novels were being written, Henning Mankell wrote his first novel. It was about the labour movement in Sweden. He dropped out of school at 16 and travelled to Paris. While there, he joined the May ’68 student rebellion, worked as a deckhand for a while, then returned to Sweden to work as a stagehand. He wrote plays, essays, children’s books and the internationally renowned Kurt Wallander series of Nordic crime novels.

    Although he would not be known internationally until 1991, he must also be considered, along with Sjöwall and Wahlöö, as one of the progenitors of Nordic Noir.

    During his life, Mankell divided his time between Africa and Sweden, contributing considerable sums to charities and African causes and setting up a theatre in Mozambique. He was a noted left-wing activist who frequently drew attention to inequality and social injustice. He was on board the 2010 Gaza Freedom Flotilla, which was boarded by Israeli commandos; nine activists were killed.

    Mankell’s Wallendar books achieve what few crime authors manage. They combine a desire for social justice with clever, nail-biting plotlines. These books (and his essays) are literature in the fullest sense. I doubt that they will ever fade into obscurity. His last work was a series of essays titled ‘Quicksand: What it Means to be Human’.

    I love them all, but my favourites are ‘Before the Frost’ and ‘One Step Behind’. As with all his narratives, the tension is palpable. They are books to lose yourself in, but you frequently stop to marvel at Mankell’s sublime gift with words. You identify with his fellow detectives like the nervous Ann-Britt, calm Magness, overconfident Kalle, grumpy Sven or the gentle, perceptive Lisa, Chief of Police. And you worry about Kurt’s insomnia and appalling diet. While these characters have their flaws, they are all the more real for it.

    In Nordic Noir, there are very few shootouts, karate fights, deep-state conspiracies, or risky car chases. The cops hate carrying guns (Kurt deliberately leaves his behind even when confronted with danger); they worry about social justice issues, and liberal values are on display. The books rely on clever plots, strong storytelling, and nuance. One writer, though, goes against that grain.

    The popular Jo Nesbø novels first appeared in 1997. Nesbø’s Harry Hole differs from most Nordic protagonists: he is a gritty loner with gallows humour, a serious drinking problem, and is an anti-hero. But as you read, you gain insight into his psychology: he suffers from survivor’s guilt. In a recent interview with Nesbø, he was asked to explain why he cast Hole as such an unlikeable character; he replied, “I want people to examine themselves. Being clever doesn’t make you a good human”.

    As the genre grew in popularity, women cops became the main protagonists, usually single mothers struggling to balance work demands and childcare.

    – – – – – –

    While the genre was in its infancy, two events in Sweden deeply shocked the nation. One of them, in particular, became an unspoken yet constant presence throughout Nordic novels – the unsolved murder of the left-wing prime minister Olof Palme.

    Palme was a peace-loving Democratic Socialist, and because of his uncompromising stance, he made enemies – particularly outside of Sweden. He was non-aligned and refused to comply with Cold War norms. This put him at odds with both America and Russia (and possibly South Africa).

    His murder may or may not have been because of his politics, but it haunts Sweden to this day and is the backdrop to many noirish plotlines. Swedish crime writers like Stieg Larsson spent years privately poring over the case, amassing vast amounts of information and developing theories. When a Swedish cop says, “let’s avoid a Palme situation”, it’s code for police incompetence.

    The other event occurred earlier in the sixties: the mysterious downing of Dag Hammarskjöld’s plane while he was the UN’s second Secretary-General. As with the Palme case, international players were implicated. Recent evidence points to proxies of the security forces of the South African apartheid regime. And there is a hint of CIA involvement, magnified by the US refusal to release documentation.

    In the USA, events like the Kennedy assassination and Watergate fuelled the US public’s obsession with conspiracy theories. In Sweden, they were more focused on sorting out police force missteps. Cock up rules over conspiracy; embarrassing incompetence over deep state cover-up.

    – – – – – –

    What started with Swedish writers soon spread around the northern Baltic, and as the genre gained popularity, it reached Iceland, Shetland, and Scotland.

    A Nordic Noir in Translation database, covering 2000-2020, lists 408 authors across 10,000-plus translation events. 57 of those authors account for 2/3 of international translations. Among the most popular are Jo Nesbø (Norway), Stieg Larsson (Sweden), Henning Mankell (Sweden), Jörn Lier Horst (Norway), Camilla Läckberg (Sweden), Jussi Adler-Olsen (Denmark), Arnaldur Indriðason (Iceland), Lars Kepler (Sweden), Ragnar Jónasson (Iceland), Leena Lehtolainen (Finland), Satu Rämö (Iceland).

    Many have speculated about why these relatively crime-free countries write so convincingly about crime. One writer joked that his books filled the crime deficit by providing what the Nordics lacked. The most popular of these feature serial killers, which is strange, because the number of serial killers in those countries has been minimal. For example, Sweden has recorded 12, and the other Nordic countries far fewer, while the United States has recorded a whopping 3,800.

    I have been to most of the countries mentioned, and my son once spent 3 months in Denmark. There is something stoic and no-nonsense about them. We are a chatty lot further south, but in Denmark they never greet each other with weather talk; in fact, small talk isn’t a big thing in those icier regions, but that doesn’t mean they are unfriendly, as communication is often unspoken. In hotels, you will see signs asking you not to be offended if tips are refused, adding, ‘we are not being rude, we are well paid here’.  The sign saves them from having to engage over the matter.

    The landscapes are central to these books too. If you approach Stockholm by sea, you will notice scars from the ice age. Striations across large, smooth rocky outcrops, known as roches moutonnés (sheepback rocks). The Nordics have very particular landscapes, and the light is softer. Ice and snow are always part of the story, and if a fleeting summer is mentioned, it reminds you that the cold and isolation are never far away. Despite that, moaning about the weather is rare. They may glance anxiously at a darkening sky and wonder whether they will have time to preserve a crime scene, but that is it. It is referenced in matter-of-fact terms.

    Sweden has more islands than any country, and Finland has more pine trees and lakes than most, which means a crime investigation often requires jumping on a ferry, cutting a hole in the ice, or, more strangely, calling on the underwater cadaver-dogs (yes, they’re real).

    In Icelandic novels, crime solvers spend days or even weeks snowed in; in Satu Rämö’s Icelandic novels, Jakob, a Finnish recruit, sits with the women detectives knitting patterned jumpers until the weather breaks. Except for Nesbø’s Harry Hole, detectives spend much of their time brainstorming with their team. Team effort and community engagement are central themes.

    In her book, ‘Scandinavian Noir’, Wendy Lesser points out that narrative game-playing is common, a wink to the reader.  She gives the example of a cop comparing a case to a well-known American case (although that American case is fictional). She adds that they let real-life events colour the background; confident local readers can tell the difference between fact and fiction.

    A Filmography

    It is impossible to write about Nordic Noir without discussing the movies and TV shows. The screenplays are frequently as strong as the novels themselves, and, unsurprisingly, the authors are often involved in shaping these shows.

    And the reverse can apply too. One of the most successful and internationally popular Nordic TV series was ‘The Killing’ (Forbrydelsen). Søren Sveistrup, a Dane, wrote the screenplay and, a few years later, he wrote his first novel, The Chestnut Man (also a huge success). Netflix picked it up, and it has had two seasons so far (both filmed in Denmark, mercifully).

    Sofie Gråbøl played The Killing’s disobedient detective Sarah Lund, and she stole the show – always wearing her trademark Nordic-patterned jumper throughout the show’s many seasons. The series was addictive.

    The US version rewrote the plot and set it in rainy Seattle; it worked well too. The American actress Mireille Enos played Sarah Linden in the American version alongside Joel Kinnaman, who played Holden.

    Bron/Broen, better known to English speakers as The Bridge, is another excellent TV series, though not based on a book. Two Nordic Noir novelists shaped the script: Hans Rosenfeldt and Camilla Ahlgren. The plotline and characters are so strong that they spawned international imitators, but few lived up to the task.

    The Bridge opens with a report that a woman’s body has been found on the Øresund Bridge that connects Malmö, Sweden, to Copenhagen, Denmark. The body is found to be severed in two and lies across the midpoint, forcing the two countries’ police departments to collaborate. Everything that follows departs from police-procedural norms. For a start, the top half of the body is that of a high-profile Swedish politician, while the bottom half is that of a Danish sex worker.

    Then there are the lead characters, Saga Norėn (Sofia Helin) and Martin Rohde (Kim Bodnia). Saga is brilliant, uncompromisingly literal and is clearly on the autism spectrum. Martin, by contrast, is emotional and warm. This provides the scriptwriters with a cornucopia of opportunities, and they don’t squander them.

    The character of Saga was foreshadowed in a novel that appeared two years earlier: The Girl with the Dragon Tattoo, the first in Stieg Larsson’s Millennium series. The protagonist, Lisbeth Salander, was also on the autism spectrum, and when the Millennium books reached international audiences, they were an instant sensation. The Swedish films were well received too.

    While the original Nordic film versions of The Bridge and The Girl with the Dragon Tattoo were excellent, the same isn’t true of the often tiresome imitations that followed.

    The British version of The Bridge was titled The Tunnel. What started well soon lost its way, and by season 3, only the leads, Clémence Poésy and Stephen Dillane, kept us watching. The American version presented us with a tangled plot that quickly morphed into a deep-state conspiracy. It was dire.

    Two Hollywood films were also based on Stieg Larsson’s Millennium Trilogy. The first, despite a $90 million budget, had poor box-office returns. The scripts also deviated from the original unconvincingly, and the proposed second film in the series ultimately faltered amid salary disputes and cost overruns. The project later emerged as a low-budget film, based on a David Lagercrantz ‘Salander’ novel, and was abysmal. That movie, The Girl in the Spider’s Web, bore little resemblance to the original because of its quasi-superhero, action-oriented ethos. Markedly different to Larsson’s characters (or Largercrantz’s).

    A TV series I’m watching at present is Wisting, based on the William Wisting novels by Jørn Lier Horst. This is the most expensive TV show ever produced in Norway, and international audiences have embraced it; it has 5 seasons and 26 episodes. It is classic Nordic Noir, with stark but gorgeous snowscapes, skeletal trees, and green firs. The perfect backdrop for the methodical, rugged-up police team as they trudge through the countryside in search of evildoers. Wisting’s headstrong journalist daughter, Line, is a co-protagonist. Sven Nordin plays Wisting, and Thea Green Lundberg plays Line. The cinematography is stunning throughout (available on Sky).

    The Finnish TV series Deadwind (Karppi) is among the finest Nordic Noir productions. A team of Finnish screenwriting professionals, including several popular authors, wrote the screenplay. With its stunning cinematography and great characters, the series is a favourite of mine and the best place to start if you’re exploring what’s called ‘Helsinki Noir’. Like most Nordic police procedurals, Deadwind confronts human trafficking and similar issues unflinchingly. It’s on Netflix.

    The Icelandic series Trapped is well worth watching, too. The main characters are simply delightful, and the gloom and isolation of the long snowstorms contrast with dazzling white periods once the sun breaks through.

    And lastly, the Wallander TV series. Many will have seen the British version and wondered about the locations and casting. As I watched, I wondered how it managed to feel both British and Swedish, and the answer lies with the production companies. A company Henning Mankell founded, Yellow Bird, started the project, and BBC Scotland soon joined in. As a result, the script closely followed the plots and order of the books.

    Most of the actors were British, and it was filmed in Ystad, Sweden, which added authenticity, as Ystad is central to the action in the books. In the British version, Kenneth Branagh plays Kurt, a dominant and somewhat isolated figure. The British accents give it a surreal atmosphere, since it is so obviously Swedish.

    There was an earlier Wallander series shot in Sweden, and that has a more naturalistic feel. It places less emphasis on Kurt and more on the team working collaboratively. It didn’t follow the novels, except Before the Frost, and interestingly, Mankell wrote all the plotlines and created the concept for that series too. Except for that one novel, they are all new stories. After the Frost was meant to start the Linda Wallander series, but when the Swedish actress Johanna Sällström, playing Linda, committed suicide, Mankell was devastated and abandoned the idea. The noted Swedish actor Krister Henriksson played Kurt in the original.

    These examples highlight the differences between Nordic authors and scriptwriters and those in the US or Europe. Content creators have more control than the money men.

    Tartan Noir

    Unsurprisingly, Anne Cleeves’s Jimmy Perez books have a Nordic vibe. The books are set in the Shetland Islands, which were part of Norway until 1472. Everything about Shetland feels Nordic, with its wild, sparse, jagged coastline and Viking festivals; Shetlanders are more likely to shop in Bergen than in Edinburgh. Cleeves, a Brit, once worked there as a cook in the bird observatory. The TV series had me from episode one, and it is one of my favourite shows. I have rewatched it at least four times, once on a ship in the North Sea during a storm.

    David Kane, Paul Logue, and others wrote the Shetland TV series screenplay. This is epic storytelling, and as with Nordic Noir, the landscape itself is a member of the cast. The brilliant Douglas Henshall plays DI Jimmy Perez, and Alison O’Donnell plays DI McIntosh (Tosh). After Douglas Henshall’s departure, the final seasons have been less popular.

    The cinematic connection between Scotland and its Nordic neighbours is growing stronger. Most notably, the highly rated Netflix series Department Q adapts the Afdeling Q books by Danish author Jussi Adler-Olsen. Denmark had already adapted four of these books into film, starting with The Keeper of Lost Causes. All were successful, but the author was unhappy with some aspects and has sold the rights for future adaptations to Nordisk Film. The characters are misfits, sent to work on unsolvable crimes in a gloomy basement.  The three protagonists are Carl Mørck, Assad, and Merete Lynggaard (played by Nikolaj Lie Kaas, Fares Fares, and Sonja Richter). The Scottish version starred Matthew Goode, Chloe Pirrie and Alexej Manvelov.

    Footnote: my last word should go to the translators, who are frequently but undeservedly ignored in reviews. Because I am not a Nordic or Finnish language speaker, I take their translations on trust, and if I enjoyed the translation, does it matter? It would matter to the author, some of whom have withdrawn the rights or changed translators for that reason. And there is something else too: these Nordic authors will be very good English speakers and competent to critique the translation. Nordics speak multiple languages, and here are some statistics. English-language speakers according to Eurobarometer: Sweden – 89%, Norway – 90%, Denmark – 86%, Iceland 100%, Finland – 53%. In Nordic countries, there is no English dubbing.

    Sources: ‘Scandinavian Noir: In Pursuit of a Mystery’ by Wendy Lesser, The Wallander books by Henning Mankell, ‘Quicksand: What it Means to be a Human Being’ by Henning Mankell, ‘The Snowman’ by Jo Nesbø, ‘The Millennium Trilogy’ by Stieg Larsson, ‘Millennium Series 4 & 5’ by David Lagercrantz, The Martin Beck books by Maj Sjöwall and Per Wahlöö, The ‘Wisting’ books by Jörn Lier Horst‘, ‘Cold Case Hammarskjöld ’ a film by Mads Brűgger,  ‘Who Killed Hammarskjöld: The UN, The Cold War and White Supremacy in South Africa’ by Susan Williams, ‘The Man Who Played With Fire: Stieg Larsson’s Lost Files & The Hunt for an Assassin’ by Jan Stocklassa, ‘The Grave in the Ice’ by Satu Rämo, ‘The Keeper of Lost Causes’ by Jussi Adler-Olsen. The Nordic Noir in Translation database.

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    Swedish T V Series

  • Maps Are Political

    Maps Are Political

    ‘Maps made places on the edges of imagination seem graspable and placeable’ – Abdulrazak Gurnah

    Book collectors are constantly at risk of mission creep because other attractive things are printed on paper too. Of these, maps are the most appealing. And books and maps are first cousins, as they both owe their rapid spread to Gutenberg’s printing press.

    I have always been attracted to maps. So much so that I once contemplated wallpapering my library with old harbour charts and maps. Well-crafted maps and charts are beautiful objects, and the finest are highly collectable. They remind us that we are part of something bigger than ourselves, and they offer limitless possibilities.

    Maps are essential reading aids too. When I read a Nordic crime novel, I find a map of the region in question and lay it out beside me. So when Henning Mankell’s Kurt Wallander jumps in a car and races from Ystad to Uppsala, I trace the journey, running my fingers along the route. If I’m reading an account of an explorer, I study the relevant map carefully, internalise it, then plunge into the unknown alongside the expedition.

    Books on exploration often contain maps as illustrations, but novels can too. Most famously, the pirates’ map, central to the theme of Treasure Island. Robert Louis Stevenson was a keen traveller, and his words are informed by the maps he followed. And it would be impossible for me to read Joseph Conrad without a map at hand. Where in the Belgian Congo was the Inner Station where Kurt committed his atrocities? Where is or was Batavia?

    The ‘maps in fiction’ list is long: ‘The Lord of the Rings’ by Tolkien, ‘The Wizard of Oz’ by Frank Baum, ‘Winnie the Pooh’ by A.A. Milne, ‘Gulliver’s Travels’ by Jonathan Swift, and so on. Entire books compile lists of imaginary maps: ‘The Writer’s Map’, edited by Huw Lewis-Jones; ‘The Phantom Atlas’ by Edward Brooke-Hitching; and my favourite, ‘The Book of Legendary Lands’ by Umberto Eco.

    Poets have long had a love affair with maps, and poems about maps are numerous. To a poet, a map is not only a physical object but a metaphor for human experience, like grief or memory. The Nobel-winning poet Wisława Szymborska wrote of maps:

    ‘Everything here is small, near, accessible.

    I can press volcanoes with my fingertips,

    Stroke the poles with my mittens.’

    Artists love maps too. On a prominent wall in our house is the first painting I purchased: a series of miniature topographical maps stuck on a canvas, each an accurate representation of a specific ridge within the Waitākere Ranges and beside each map, a painted leaf.

    And don’t overlook books about cartographers, like ‘Mapping the Great Game’ by Riaz Dean or ‘Mercator: The Man Who Mapped the Planet’ by Nicholas Crane. Any book on Cook’s voyages will mention that he taught himself advanced mathematics, astronomy, and navigation, and went on to become one of the world’s greatest cartographers, laying the groundwork for oceanography.

    – – – – – –

    In our house, a small dedicated map table is piled high with maps and atlases bought on our travels. Old atlases are fascinating, as they graphically depict colonisation. Of the maps, old motor touring maps advertising petrol brands that no longer exist please me most. I also like National Geographic maps and those in foreign languages.

    My highly detailed Department of Lands & Survey maps with their coloured topography lines have disappeared, and sadly, the department ceased to exist on April Fools’ Day 1987. After that, proper maps became increasingly difficult to find here. In my view, downgrading map-making was a misstep.

    A ‘proper’ map shows the topography, roads, historic monuments, trigs, bush tracks, rivers, creeks and paper roads. Almost all early printed maps had topographical detail. I dislike digital maps because they focus on the destination at the expense of the journey. To get any detail, you have to pinch and expand, and then the overview vanishes. They are irritatingly one-dimensional and devoid of topography.

    When travelling in an unfamiliar country or region, I seldom rely on guidebooks, preferring to consult a map before heading into tiger country. Good quality maps are perfect because they reveal destinations you hadn’t planned to reach.

    A few years ago, we were travelling across north-eastern France when I spotted a name on the map that intrigued me: Forêt d’Orient. It was just a blob of green, and beside it, in tiny print, the words “historic park”. That was all the information we needed, so we changed our plans immediately.

    We soon found ourselves in an ancient wetland forest known as the birthplace of the Knights Templar, and according to local legend, a place once feared by the Romans. We hiked along a few of the old trails and, at one point, came across a small forest village. There, in an ancient churchyard, locals pressed cider with an old wooden hand press. Our map, not some tourist guide, led us to this hidden wonder.

    – – – – – –

    I spent a brief time in the Boy Scouts until the ATC (Air Training Corps) lured me away. During my time in the ATC, I learned to orient a map by boxing the compass, and armed with that superior knowledge, I qualified as a map curmudgeon. I was also taught the rudiments of Ham radio, which introduced me to triangulation, and it amazes me that I grasped these things so easily, because I was an embarrassment at school maths.

    A trig point, or trig beacon, is a fixed marker surveyors use to map the land by triangulation, but they’re falling into disrepair everywhere because satellites have eaten their lunch.

    Map-making and navigation still rely on triangulation, but what if some superpower meddles with a navigation satellite? I hope that there are still a few old-style theodolites (or sextants) lurking about, and it might be time to do a spot of scrub cutting around the trig points too.

    To this day, nothing annoys me more than someone who unfolds a map with a flourish, taps it knowingly, fails to orient it to the north, and confidently points you in the wrong direction. On an upside-down map, north sends you south.

    The Ancients

    The earliest known local maps were engraved on mammoth tusks and date from around 25,000 BCE. The oldest known world map is the Imago Mundi from Mesopotamia, dating from the 6th century BCE. The first map using mathematical coordinates was Claudius Ptolemy’s Alexandrian map, which introduced latitude and longitude (100-170 CE).

    By the 5th century BCE, the Chinese were already skilled cartographers. Fragments of a paper map have been found in a Qin Dynasty tomb, and others were ink on wood (221-206 BCE).

    A few years ago, I learned of an amazing Roman map called the Forma Urbis Romae. It was mounted on a large interior wall and made up of 150 marble slabs. Only 10% of that map survives, and you can view it in the Archaeological Park of the Celio in Rome. Another Roman map from that era is the Orbis Terrarum. That was a plaster map of the entire known world, made by Marcus Agrippa, a friend of Augustus. Like many maps, it was imperial propaganda.

    Some years ago I visited Venice, and one of the most memorable sights was a massive world map surrounded by regional maps. These covered the Sala del Scudo walls of the Doge’s Palace (the Palazzo Ducale). They were huge, colourful maps showing the 15th-century trade routes and placing Venice at the centre of the known world.

    The great age of mapmaking spanned the 1500s-1600s. During this period, Gerard Mercator, Sebastian Münster, Abraham Ortelius, John Norden, John Speed, and Christopher Saxton created decorative and functional maps. These objects were prized, and they set a high bar for later cartographers and map engravers.

    A uniquely famous early printed map, the Tabula Peutingeriana, was reprinted many times. It was a carefully crafted reproduction of Marcus Vipsanius Agrippa’s map of ancient Rome and the wider region (depicting 100,000 kms of Roman roads). The original had recently been rediscovered and, despite its size (22 ft long), scholars’ demand was enormous. Later printings in atlas form included a version of Mercator’s Ptolemy.

    In the 15th and 16th centuries, the Portuguese used charts called roteiros (more commonly referred to as rutters), and they regarded them as the kingdom’s most valuable assets. They were so valuable that they were designated state secrets, much like the code-breaking machines in WW2.

    A rotiero was a step-by-step instruction manual for navigating specific ocean routes, and they added fresh information after every voyage. The Portuguese had an absolute monopoly on sea routes to Asia until the Dutch stole one of their rutters, a hundred years later.

    The rutters were so detailed that they included information on water depth, ocean currents, seasonal winds, tides, celestial navigation charts, solar tables, geographical descriptions of shorelines, hazards like sandbars, and safe havens. Roteiros were used alongside portolan charts, which were visual maps showing ‘rhumb lines’ radiating out from compass roses. Italian maps still place compass roses on their maps (rosa de los vientos or rose of the winds).

    These methods enabled the Europeans to venture deep into the oceans, but they were not the only explorers with such detailed oceanic knowledge. Long before them, indigenous peoples of the Pacific also used advanced navigation techniques. Their knowledge was strikingly similar to that found in the old Portuguese rutters. Like the early Portuguese explorers, they passed this precious knowledge on to subsequent generations. Their voyaging was all the more remarkable as they were an oral culture.

    In the popular imagination, early maps depicted uncharted regions with the legend ’here be dragons’. Only one old map carried a similar phrase, and that was in Latin. Instead, you might find the Latin phrase ‘hic sunt leones’ (here are lions) or the common utilitarian term ‘terra incognita’, which simply means unknown land.

    Mercator and the Politics of Maps

    Over the last few weeks, a few significant map-related events have made headlines worldwide. First, the UN General Assembly voted 164 to 1 to adopt a new map that portrays Africa and other countries in their correct proportions. The one country that voted against was the United States. This new map replaced the default 16th-century Mercator map with the Equal Earth Standard map, created by the cartographers Šaverič, Jenny & Patterson.

    In 1594, Gerardus Mercator, a genius mapmaker, engraver, cartographer, instrument maker, and philosopher, created a map called the Mercator projection. He didn’t travel widely but had a vast library of books and maps (in 6 languages). He designed the Mercator projection to help sailors by providing constant-bearing sailing courses. To create equidistant parallel lines that intersected at points of longitude and latitude, he had to stretch the dimensions, mostly those farthest north from the equator. Almost every world map on a wall or in a classroom atlas uses the Mercator Projection. That is about to change, although the international conventions do not bind map printers. Modern oceanic navigators (and aircraft) will still use the Mercator projection.

    Togo initiated the move to adopt the new world map, but interestingly, the Mercator map did not reduce Africa’s size; it just made it look smaller by stretching the oceans and creating an optical illusion. The countries farthest north of the equator were distorted and enlarged.

    Also, the President of the United States declared his intention to rename the Atlantic and Pacific oceans (and two lakes). He has no such authority over large maritime masses and limited authority over areas that cross borders. An international body called the International Hydrographic Organisation (IHO) and the UN Undersea Feature Names Committee control oceanic names. He already overrode the US federal authority responsible for naming areas within US boundaries by issuing a presidential decree. That said, the Gulf of Mexico remains an official name, except for the small portion within US jurisdiction.

    All maps are political, whether intentionally or not, and when map boundaries are adjusted without the consent of those affected, intergenerational grievance follows. No place illustrates this better than the Middle East. The map of the old Ottoman Empire was redrawn after WW1, following age-old rules; the winner imposes its will and seizes valuable assets.

    This decision was made in 1916, halfway through the war; two French and British diplomats, Mark Sykes and François Picot, signed off on a map that was to carve up the Ottoman Empire. When it took effect, it severed or disrupted tribal and ethnic groups, setting in motion a domino effect that created today’s flashpoints. The partition of India led to similar grievances.

    Sources and references: ‘Mapping the Great Game’ by Riaz Dean, ‘Mercator: The Man Who Mapped The Planet’ by Nicholas Crane, ‘Antique Maps’ by Douglas Gohm, ‘The Writer’s Map’ edited by Huw Lewis-Jones, ‘The Phantom Atlas’ by Edward Brooke-Hitching, ‘The Book of Legendary Lands’ by Umberto Eco, ‘Map: Collected and Last Poems of Wisława Szymborska’, ‘The Poetry Deal’ by Diane di Prima, ‘Before The Frost’ by Henning Mankell,  ‘Treasure Island’ by Robert Louis Stevenson, ‘Winnie The Pooh’ by A A. Milne, ‘First Map: How James Cook Charted Aotearoa New Zealand’ by Tessa Duder, ‘Pacific Isle Mapping’ by Amelia Khatri, ‘The Philips’ Dominion Atlas’ 1938, Various touring maps, National Geographical maps, maps from books and two photographs of the old church and wine press in the Forêt d’Orient, detail of my Waitākere painting by Kate Wells.

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    The New Earth Equal Map

  • The Pillaging of India

    The Pillaging of India

    ‘They tore the cloth from the loom, or wrestled the scanty portion of rice or salt from the peasants of Bengal’ – Charles James Fox (Whig MP)

    ‘The East India Company is a state in the disguise of a merchant’  – Edmund Burke (Whig MP)

    ‘The liberty of a democracy is not safe if the people tolerate the growth of private power to a point where it becomes stronger than their democratic state itself. That, in its essence, is fascism’ – Franklin D. Roosevelt.

    Pirates for Good Queen Bess

    Spain is regarded as the first global superpower, and like all superpowers, it earned its stripes by plundering, enslaving, and colonising. An ally of Spain’s at that time, England, watched and coveted what Spain had plundered, and during Elizabeth’s reign, it pounced. This state-sanctioned piracy was known in England as privateering (i.e. state-sponsored mercenaries).

    Privateers carried a ‘letter of marque,’ which afforded them some legal protection and, if captured, entitled them to be treated as prisoners of war. They also received an official government licence commissioning them to act against certain powers, provided they took their ‘prize’ to the nearest allied port to be counted and shared with the state. If they transgressed by withholding the loot or attacking an unauthorised target, they were regarded as pirates.

    The English were not the first to attack Spanish ships, as the French had done so over 40 years earlier. The French called their pirates corsairs, and they operated under similar rules. A French corsair’s seizure of Montezuma’s fleet revealed how much wealth was being extracted from the Americas, and other nations soon became aware.

    After the Paris Declaration of 1856, the use of letters of marque was abolished. All major powers signed, except the United States, which still reserves the right, by statute, to issue them.

    One of these ‘sea dogs’ was particularly fascinating, and although not as famous as Raleigh or Drake, he caused quite a stir at the time. His name was Captain Edward Fenton (no relation), and he was even more rogueish than his counterparts. He had powerful friends in the Elizabethan court, who later saved him from meeting Drake’s fate. He had captained a ship on Martin Frobisher’s second voyage and commanded the third.

    In 1582, he led an official expedition to reach the Moluccas (Indonesia) and Cathay (China). He was ordered to avoid Magellan’s Strait and find another route. His fleet of four ships got no further than Brazil, where they defeated a small Spanish fleet, but soon after, everything went awry. Bitter rivalries among the officers played out before an astonished crew. According to a crew member’s account, Fenton disregarded his orders and sailed to St Helena instead, where he intended to declare himself king. During a heated argument, he had a fellow captain, William Hawkins, placed in chains and then attempted to stab him to prevent the story from coming out. After that, he went his own way and resorted to piracy.

    On his return to England, he fell into disgrace and went into hiding. He lay low for a time, but eventually returned to command the Mary Rose (not the earlier ship of the same name) and helped defend against the Spanish Armada. He redeemed himself through his decisive action alongside Drake.

    The Elizabethan era was one of pillaging free enterprise, and in that spirit, a group of merchants met. The head of the Levant Company, which traded with the Ottomans, led the effort. Having raised money from wealthy subscribers, they sought the queen’s permission to form a new company and head east in search of trade. The group included merchants, privateers, and adventurers, and the East India Company grew out of it. It was modelled on the successful Levant Company.

    Many people were willing to subscribe, but when it came time to pay up, many failed to deliver what they had promised. It took threats of jail to make the laggards pay up.

    The first two voyages went to the Malay Archipelago, but the powerful Dutch East India Company prevented them from trading. While spices had been the focus of those first two voyages, they had another option: Indian textiles.

    A foothold in India

    William Hawkins captained the third voyage. The same William Hawkins who had been placed in chains and stabbed by Captain Fenton. He was the perfect man to woo the Mughal emperor, as he was fluent in Turkish, the ruling family’s ancestral tongue. By this time, James I was on the throne, and Hawkins presented the Mughal emperor with a letter from the king.

    The Mughal Emperor Jahangir took a liking to Hawkins and gave him the title English Khan. He was also given a wife, a stipend, and a military command. Despite this, he failed to secure a trade concession because of Portuguese interference (they threatened to block access to Mecca, so the concession was rescinded).

    The British were not to gain sufficient influence until they defeated the Portuguese at the Battle of Swally off Surat. After that, the EIC (East India Company) gained increasing trading rights across India, and although it had established a foothold, it wanted more because it was still subordinate to the Mughals. This situation lasted until the Mughal Dynasty’s decline and fragmentation in the early 18th century. During this descent into anarchy, various Mughal governors broke away and formed petty kingdoms.

    From Merchants to Rulers

    The EIC had followed events closely and quickly realised that the anarchy suited their purpose. They exploited the kingdom’s fragmentation by encouraging more groups to break away. They also offered various rival rulers their well-trained military as mercenaries in return for monopoly trade concessions. Before long, India became so fractured that it was no more than a set of warring states. Into this void stepped the EIC to take control.

    What followed can only be described as institutionalised, state-backed extortion. Edmund Burke famously raised the alarm, but he wasn’t alone. Criticism of the monopoly charter also came from the wool and textile lobby, ‘the interloper’s ’ (independent traders), William Pitt the Elder and satirists (who coined the term Nabobs for these ridiculously wealthy and corrupt merchants).

    Several parliamentary enquiries were launched during the 1700s, and while they inflicted heavy blows, none changed the status quo.

    It was the first company to be awarded legal ‘person status’ and, by extension, granted state powers. This was uniquely dangerous because it gave the company the right to wage war, raise armies, print money, and rule in its own right. The EIC soon became more powerful and wealthy than the state that created it. It became known then as the Honourable East India Company (HEIC).

    By 1757, the Mughals had been reduced to powerless figureheads, and the EIC seized control of the Empire. This was the era of Robert Clive. The EIC then ruled India until the Indian Sepoy Rebellion of 1857. In the aftermath, the British moved in to crush the rebellion and claimed India in the name of Queen Victoria. This period of British rule lasted until partition (1947).

    When the EIC arrived in the early 16th century, the Mughals’ share of the world’s GDP and industrial output was around 28%. By comparison, England under James 1 contributed only 1.8% to global GDP.  India, unlike Britain, had been one of the world’s wealthiest countries for over 2000 years. It is estimated that somewhere between $45 -65 trillion was extracted from India by the HEIC and the British Crown during the colonial era.

    Captain Albert Fenton, HEIC.

    Albert Crosland Fenton was my great-great-grandfather, and he became a cadet with the East India Company at only 12. In 1839, he wrote about his experiences, and a copy of that book sits in the Bodleian Library, Oxford. I possess a ‘legacy reprint’ copy, and it’s a fascinating read.  The title: ‘Memoirs of a Cadet (1839)’. It was initially published under the pseudonym ‘A Bengalee’.

    Albert’s father, Lt. Colonel Francis Fenton, was a Sheffield merchant who raised the Sheffield Militia during the Napoleonic Wars. Sheffield historians have written much about him, and their accounts are spiced with humour. After raising the militia and fitting them out in red and green livery, he assembled them for inspection before the Lord Lieutenant of Yorkshire, Earl Fitzwilliam. It is reported that one NCO decided to go fishing rather than fight Napoleon.

    During the proceedings, Lady Fitzwilliam presented Lt Colonel Francis Fenton with her scarf. It is odd to read of such a chivalric gesture in the late Georgian age (a ‘favour’ for a knight heading into battle). Then it was all on. Someone on the coast had lit a beacon, and the volunteers were dispatched immediately, believing that Napoleon’s troops had landed.

    As they left Sheffield, the people cheered, and someone yelled, ‘pillars of the community’. They marched around the coastal area for several days, eating the farmers out of house and home, before returning. It had been a false alarm.

    When they marched back into Sheffield, the crowds were more subdued, and when someone repeated, ‘pillars of the community ‘, a local wag yelled, ‘caterpillars you mean’. The City presented Francis with a gold sword (no, I don’t have it)  and made him Sheffield’s first Superintendent of Public Works and Policing.

    – – – – – –

    Because I have no illusions about the HEIC, I read ‘Memoirs of a Cadet’ with some trepidation, but instead of finding jingoism, or worse, I found something else. The boy soldier growing up in an ancient land and appreciating its wonders. Although the style is archaic, the book is well written; Albert comes across as easygoing and self-effacing, and he is full of curiosity too. Although he arrived in India at 14 or 15, he must have received a solid education before that to write with such fluency.

    When he sailed up the Hooghly River as a boy lieutenant, he would have passed Fort William, Calcutta. There in 1756, Governor Roger Drake disgraced himself by abandoning his men and many civilians to slaughter; many faced a slow death in the Black Hole of Calcutta. This was also where the controversial Robert Clive demonstrated his military prowess.

    ‘In the Month of May we were visited by the most terrific hail-storm I ever witnessed in the plains of India. It came from the north-east and must have been cradled in the mountainous region of that ‘airt’ (compass point). At 4 pm, the north-eastern horizon darkened to a pitchy blackness. The air was still, and not a sound disturbed the breathless tranquillity, save an occasional growl of thunder – very distant’.

    Having experienced one of those eerie thunderstorms that creep across the Deccan, I find his description to be apt.

    As he moved from place to place, he delighted in visiting Hindu and Muslim shrines. His main pastime seems to have been studying old palaces and forts, and he wrote knowledgably about the wonders of the Taj Mahal.

    ‘We are equally left in astonishment with the dignity that planned and the merit that executed so difficult a task’. (the Taj Mahal)

    The only people he spoke against were the bailiffs who plagued the camps (young soldiers were notorious gamblers). He served in the First Native Bengal Infantry, which was involved in one or two campaigns during his time there. One was abandoned due to poor decisions by the general; the other was the Third Anglo-Maratha War.

    He spent 20 years in India and retired due to ill health at 34. There are accounts of him suffering terrible fevers where he couldn’t bear bright lights or sound, and nearly dying. He only lived for 15 years after his return, but married and took up a post teaching Hindustani at the Royal Naval School, London. Saunders and Otley published his Memoirs of a Cadet in 1837, and it was serialised in the Metropolitan Magazine.

    – – – – – –

    While Albert was marching about in Bengal, a diminutive man in tight black breeches and gaiters was trudging back and forth to Leadenhall Street. The man I refer to was Charles Lamb, the famous essayist, and the grand edifice dominating Leadenhall Street was the HEIC’s headquarters. Once inside, Lamb would climb onto a high stool and set about work on the huge ledgers brought to his desk. Small candles provided the only light in winter, and he worked from 10 am to 4 pm.

    Lamb described himself as one of the monks of commerce, and he loved none of it. For him, it was an essential safety net, as he had been forced to take legal custody of his sister Mary after she stabbed their mother to death during a bout of mental illness. The work ruined his health, but he barely complained. Even after he was superannuated, he kept silent, as the Company paid him an annuity.

    – – – – – –

    Despite the HEIC’s awfulness and corrupt leadership, some remarkable men like Sir William Jones moved through its ranks. Jones mastered or studied 28 languages and is credited with discovering the structural link between Sanskrit, Greek and Latin.

    Not long after my forebear’s departure, a young officer named Richard Francis Burton arrived in India.  Burton was a truly remarkable man and a polymath. While in India, he served as an infantry officer, surveyor, and intelligence officer.  His skills included linguistics, ethnography, and espionage.

    While most officers learned only enough of the local language to issue commands, Burton quickly became proficient in 8 major regional languages, including Arabic; he could speak 49 languages in all. He pioneered covert espionage by creating an alter ego, Mizra Abdullah the Bushri.  He grew his beard, dyed his hair, and adopted local attire, enabling him to move seamlessly through the bazaars. He didn’t just master the languages; he mastered regional accents, religious gestures and cultural etiquette.

    He took meticulous notes on social structures, sexual practices and customs; these books are highly regarded today as advanced anthropological studies. Burton wrote 43 books on his journeys and 30 volumes of translations; among them was the definitive translation of ‘The Arabian Nights’.

    Disguised as a Pathān, he even travelled to El Medina and Mecca without detection. Later, he planned and took an expedition to discover the source of the White Nile and was the first European to discover Lake Tanganyika.

    I have barely covered his astonishing adventures, achievements, or his literary output, but many great biographies are available. He wrote that he felt at home in every country except England. He died in Trieste, Italy, in 1890.

    – – – – – –

    Opium and Tea

    In the last decades of HEIC rule, they became the first state-sanctioned drug cartel. Just how they became a narco-state is convoluted, but it was all about Britain’s obsession with silk and tea. As Britain grew wealthier, domestic demand for luxuries like silk and tea rose, eventually sparking war.

    During the Qing Dynasty, the Chinese surprised the British by telling the first trade envoy, Lord Macartney, that they had no interest in Britain’s manufactured goods. Macartney had dangled all sorts of goods in front of the Emperor, like clocks, weapons, telescopes and textiles, but to no avail.

    ‘As your ambassador can see, we possess all things’, the Emperor wrote to the English King. The Chinese regarded the trade offerings as ‘tribute’ to a superior nation. It was agreed that the British could have tea, porcelains, and silk, but they had to pay for them in silver bullion. This created a massive trade imbalance, as tea alone amounted to 10% of the government’s total revenue. It also devastated the HEIC’s coffers.

    The HEIC bought 228 million pounds of tea in Canton during 1820, the only port they could operate from. As a workaround, the British decided to covertly sell opium to the Chinese population and require silver in exchange.

    To do this, the HEIC was an essential factor, and so opium from the Mediterranean was planted in Bengal and Bihar. The HEIC then hired independent traders to ship the opium to China. Before long, the Chinese population was struggling with an addiction crisis, and the Emperor was furious.

    Commissioner Lin Zexu blockaded the British merchants and destroyed 20,000 chests of their opium. The merchants then lobbied in London for war, and the First Opium War began. The British gained concessions after that but wanted more, and after a second Opium War, the Chinese were forced to cede Hong Kong to Britain and to legalise the opium trade.

    George Eden, the first Earl of Auckland, oversaw this operation as Governor-General of India. At his instigation, large numbers of HEIC troops were shipped to China. During these wars, Western forces (including France and America) captured Beijing and burnt the old Summer Palace to the ground. The Europeans then forced the Chinese to allow Christian missionaries to move freely throughout China. Hence the Chinese saying, ‘they came with Bibles in one hand and opium in the other’.

    Lord Auckland was disgraced after the catastrophic annihilation of the British Army during the First Anglo-Afghan War of 1842. It became known as Auckland’s Folly.

    I live in a city named after Lord Auckland, and our famous rugby park, some streets and Mt Eden are named after him too. He never visited here, but we honoured him by naming our biggest city after him. Why? He was an awful man. That is why I prefer the lovely Māori name for Auckland: Tāmaki Makaurau.

    Sources: ‘The Troublesome Voyage of Captain Edward Fenton, 1582-1583: ‘Narratives and Documents held by the Hakluyt Society’, edited by G Taylor, ‘Elizabethan Privateering: English Privateering During the Spanish War 1585-1603’ by Kenneth Andrews, ‘The Golden Road’ by William Dalrymple, ‘The Anarchy’ by William Dalrymple,‘ The Honourable Company: A History of the East India Company’ by John Keay, ‘Memoirs of a Cadet’ by Albert Fenton, The Sheffield Archives, the ‘Wentworth Woodhouse Papers’, ‘A Rage to Live: A Biography of Richard and Isabel Burton’ by Mary Lovell, ‘River of the Gods: Genius & Betrayal in the Search for the Source of the Nile’ by Candice Millard, ‘The Essays of Charles Lamb’ edited by Percy Fitzgerald, ‘The Chinese Opium Wars’ by Jack Beeching.

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  • The Illustrators

    The Illustrators

    ‘Illustrators are word people who happen to draw. We work with one foot in a book and the other stuck in a paint pot. Our shoes are a disgrace’ – Wallace Trip.

    ‘Art is bridging words and images’ -Tony Kushner.

    ‘Illustrations in picture books are the first paintings most children see’ -Anthony Browne.

    Like most book collectors, I have collected certain books just because they featured a favourite illustrator. While the average book purchaser doesn’t spend time considering the quality of the artwork, bindings, typeface, paper (or smell), they can still be unwittingly beguiled by these seemingly peripheral considerations. For me, these alchemical considerations are integral to my enjoyment.

    And it’s not always about a new or expensive hardback edition either. An old paperback with an interesting cover can attract me more than an ugly hardback. Aesthetics depend on personal taste and cultural context.

    I once purchased a tatty, coverless, 1815 Regency novel for a few dollars. The book had no monetary value at all – so why? Because I wanted to put myself in the original reader’s shoes. As I read, I swear I could detect the musty odour of leather boots and Regency oak panelling. It was a portal into another age.

    A book is more than a collection of words; it is the sum of its parts and more besides. If an author decides to illustrate, those illustrations become part of the script. And a book is an unfolding story. An unillustrated first edition might gain illustrations in subsequent editions, and each iteration builds on the earlier narrative.

    A reissue of an old text with contemporary illustrations can delight, but to get a fuller picture, we need to see the original too. Serious book collectors know this. If you look back through Charles Dickens’ publications, a rich history of illustrations leads from mid-Victorian to modern times. ’Phiz’, his early illustrator, was fabulous, but many other notable illustrators followed him.

    While the publishing industry doesn’t track the ratio of illustrated to plain-text books, it does analyse a few genres. Aside from specialised fantasy editions or chapter-heading thumbnails, modern adult fiction remains nearly 100% plain print (a notable exception, however, is the Japanese ‘Light Novel’, where black-and-white illustrations are standard). Children’s books, by contrast, are 100% illustrated.

    The Egyptians, Greeks, and Persians illustrated books by hand, painting images onto papyrus and vellum, but illustrated books were rare. A different print technology emerged in 3rd-century China, using carved woodblocks, but Europe didn’t catch up until the 15th century.

    Johannes Gutenberg’s invention of the printing press in 15th-century Germany also popularised the use of paper (the Chinese had been using paper since 105 CE and developed movable type 400 years before Gutenberg). Early printed books, according to several academic studies, were rarely illustrated; even medieval vellum Psalters were only 15% illuminated (I have two medieval ‘Book of Hours’ pages on vellum). In the 200 years following the invention of the printing press, printers still left blank spaces for manual illumination.

    Western book illustration as we know it evolved from European woodblock printing and the printing press. Woodblocks could be combined with movable type, since both were forms of relief printing, but the illustrations were often crude. A brief period of metal engraving followed, but the intaglio techniques of etching and engraving soon dominated. These methods remained popular until the 19th century.  After that, various new methods and technologies enabled quality colour printing.

    In Japan, a colour-printing technique called nishiki-e used many different woodblocks. This produced very high-quality artwork.

    The Victorian era is considered to be the ‘golden age of printing’, with its proliferation of technological breakthroughs and mechanised papermaking. And at the same time, literacy rose significantly; printed works were no longer the preserve of the wealthy, but a mass-market commodity.

    The Victorian era also saw the rise of the ‘Arts & Crafts’ movement, a rebellion against the Industrial Revolution and new technology. Figures like the socialist William Morris championed a return to handcrafts, and his Kelmscott Press (1891) produced some of the finest books ever printed. He believed that mass-produced books were becoming increasingly shoddy, and he was right.

    This gave rise to the Private Press movement, which produced high-quality books that are desirable to modern collectors. I am lucky enough to possess a few, but sadly, no Kelmscott Press.  Victorian and early 20th-century private presses included Doves, Ashendene, Vale, Essex House, Eragny, and Cuala. A little later came the Golden Cockerel Press, Nonesuch Press, and Gregynog. Many others are worth collecting too. The illustrations and typography in these finely printed books are frequently exceptional.

    Some Illustrators whose works I have collected

    Rex Whistler: A brilliant painter, muralist, illustrator and book designer. His masterpiece is the illustrations for ‘Gulliver’s Travels’ in the Cresset Press (1930). His style was elegant and fine Rococo (ornate but not too busy). He was highly in demand by publishers like Faber and Faber. Sadly, he was among the first to die after the Normandy Landings. I always made a point of grabbing any book featuring his illustrations or dust jacket designs. His brother Lawrence was a famous glass engraver.

    – – – – – –

    Richard ‘Dicky’ Doyle: A famous Victorian illustrator who started as an errand boy. He designed the original Punch cover and its masthead. He illustrated works by many Victorian authors, including Charles Dickens, William Makepeace Thackeray, John Ruskin, Andrew Lang, and Leigh Hunt. He was fascinated by birds and fairies, and that fascination ran in the family.  His brothers were all artists too, and in brother Charles Doyle’s case, the obsession with fairies (and fear of birds) drove him into an asylum. Charles son was Sir Arthur Conan Doyle, who wrote Sherlock Holmes. Arthur also believed in fairies (and spiritualism) and was duped by a photograph of fairies taken by two young girls (they later confessed it was not real).

    – – – – – –

    Walter Crane: 1845-1915: An anti-authoritarian democratic socialist who illustrated children’s books and adult literature, and designed socialist pamphlets and union periodicals. He was president of the Arts Workers Guild and later the Arts & Crafts Society. He was also Director of Design at the Manchester School of Art and the Royal College of Art. Along with Kate Greenaway and Randolph Caldicot, he set the standard for children’s illustrated literature.

    Before Crane and Greenaway, children’s books were mostly morality tales. Although Crane came out of the Arts & Crafts movement, he also studied Japanese and medieval art. Equally important was his apprenticeship as an engraver, which shaped his approach to design and led him to reject its soulless, mechanised processes. Publishers regarded him as a genius, and he was close friends with Oscar Wilde, William Morris, and George Bernard Shaw. He wrote influential books on design, advocating a move away from the then current obsession with filling every available inch of space.

    – – – – – –

    In an earlier post, I mentioned the Leighton Dynasty of binders, printers and engravers. I am descended from the founder, George Leighton, who printed the ‘London Illustrated News’. The Leightons pioneered a colour-printing technique that soon came to dominate the industry. Another member of that Leighton family, a cousin, was Edmund Blair Leighton, a Pre-Raphaelite painter and Academician. His paintings illustrated books, including George Eliot’s. Several of his illustrations are in the Auckland Art Gallery collection.

    – – – – – –

    A proper examination of book illustration would require a deeper analysis than I am qualified to deliver. What I have covered here offers a personal perspective and a glance. I may look at the topic again in the future, and if so, comics, children’s books and related areas like book plates could be the focus.

    And here in New Zealand, we have a rich tradition of illustration too—the ethnographic art of the explorers (e.g. Buller’s Birds) and the botanical artists. We also have a rich history of cartoons, newspaper illustrations and school journals. And most importantly, the picture book explosion of the mid-20th century, which saw a proliferation of extraordinary children’s books. We have produced many fine engravers, but four wood engravers and etchers stand out: E. Mervyn Taylor, John Buckland Wright, Leo Bensemann and Rona Dyer.

    So while I have illustrated books from many eras, my interest focused on a hundred years: mid-Victorian to mid-20th century. It was instinctive and based on my tastes, but there was another reason—the switch from letterpress to offset printing after the 1950s. Economic and logistical factors drove the move to offset lithography: speed, cost, and safety. It’s hard to argue against the change, but something substantial was lost: aesthetics.

    Letterpress has been with us in various forms since Gutenberg, but I’m not just talking about nostalgia. When you ink and press text in a galley, something special happens. A crisp, fine impression forms, and in fine printing, you can see and feel it. Letterpress is not a chemical process like offset.  We are talking aesthetics, and the finest private press printers have always used and still use letterpress.

    When I was a boy, my friends and I collected stamps. They were crisp and typographically beautiful, and the colours were marvellous. After the 1950s, stamp collecting declined, and I blame offset techniques. I had no interest in collecting the ugly objects that proliferated after the 1950s. Thomas De la Rue pioneered stamp letterpress technology and printed stamps for 150 colonies. Rivals like the French Atelier des Timbres-Poste produced iconic stamps like the Sage and Sower series. The stamps of the first 100 years were tiny works of art, but they were replaced by bland, busy ephemera.

    And while I have many books with nice modern illustrations, they appeal to me less. I will let the pictures I post illustrate my preference.

    Sources referred to and Illustrators pictured: ‘Walter Crane as a Book Illustrator’ by Rodney Engen, ‘Walter Crane, Artist, Designer & Socialist’ by Greg Smith, ‘Line & Form’ by Rex Whistler, ‘The Laughter & the Urn: a life of Rex Whistler’ by Laurence Whistler, ‘Illustrators of the 1800s’ by Forest Reid, ‘The Art of the Printed Book’ by Blumenthal, ‘Millers Collecting Books’ by Catherine Porter. Illustrations, in order from left to right where applicable: ‘Fox & Crane’ – Walter Crane, ‘May Pole’ – Crane, ‘Ali Baba’ – Crane, ‘Gulliver’ (two plates) – Rex Whistler, ‘Desert Islands’ – Rex Whistler, ‘Scarecrow’ – Rex Whistler, ‘A Jar of Honey ‘ Richard Doyle (2), ‘Mr Birchell’s First Visit’ – Thomas Rowlandson, ‘Your Passports’ – 19th-century French, possibly Maris, ‘The Lost God Pan’ – H J Ford, ‘Book of Job’ (two plates) – Herbert Granville Fell, ‘Mosque’ – Frank Brangwyn,  ‘Robinson Crusoe’, artist unattributed but I found reference to this 19th-century Warne edition in a Dutch catalogue – almost certainly Ernst Henri Griset. (Dickens) ‘Bleak House’ – Phiz, ‘Mr. Pickwick’ – Phiz, ‘The Old Curiosity Shop’ – C Green. ‘early 1400s Book of Hours illumination’.

  • Revolt & Social Justice

    Revolt & Social Justice

    ‘Capitalism is the astounding belief that the wickedest of men will do the wickedest of things for the greatest good of everyone’, attributed to Maynard Keynes.

    ‘The day after the revolution, the generals move into the palace’ Anon.

    ‘The law, in its majestic equality, forbids rich and poor alike to sleep under bridges, to beg in the streets, and to steal each other’s bread’. Anatole France

    ‘I am a Marxist of the Groucho Variety’. A placard during the May ’68 French youth rebellion

    ‘Meet the new boss, same as the old boss’. Pete Townshend (‘Won’t Get Fooled Again’)

    There is a category of book that always has me searching bedside tables or hunting through the history, philosophy, or biography sections of my library. Even in a public library, these books aren’t always shelved together, and if they are, they’re filed under Nonfiction 300. That section covers social history, including politics, laws, revolutions, and human rights. 

    According to recent global surveys, reading history books ranks second in preference in almost every country surveyed. In the US, history books represent 30% of books purchased or accessed, and in the UK it’s similar. In New Zealand, it is also our second most popular book genre. Those statistics, however, don’t break the topic down. In the US especially, I suspect most of those history books are about kings, presidents, generals, and military campaigns.  

    Social history is a subcategory of history based on the lived experience, structures and daily lives of ordinary people. It is sometimes called ‘history from below’ as it examines societal structures and cultural norms rather than examining the lives of ‘great men’. My library is generalist regarding history, but light on military campaigns and generals.

    My ‘Dictionary of Social History’ provides the etymology of the word politics. It derives from the Greek word politika, as do polis and police. 

    A related word, politeia, meaning citizenship or administration, entered English with this meaning: an organised society, civilised society or form of government. Also aligned is dēmokratia, meaning rule by the people. 

    When considering early experiments in democratic rule, history and philosophy books are the primary sources. Democracy arrived in Greece around the 5th century BCE, but non-Western polities like the Sabhas and Samitis of India had forms of democratic rule long before that (6th-4th century BCE).   

    No contemporary biographies of the early Greek democrats survive, so much of what we know was written long after they lived. Biography as we know it came about over 400 years later with Plutarch, who lived in the Roman era. Plutarch’s ‘Parallel Lives’ is a fascinating read and still popular today. 

    To learn about the early struggles for democracy, modern-day historians rely on philosophical works written at the time, broad histories (e.g. Thucydides or Herodotus), or contemporary pamphlets and gossip.

    I have many books on the era, but a favourite is ‘The Birth of Classical Europe’, which my parents gave me for Christmas. Also, a book titled ‘The Hemlock Cup: Socrates, Athens & the Search for the Good Life’ by the modern historian Bettany Hughes. She has pieced together a convincing biography, using archaeological breakthroughs, geographical fieldwork and contemporary texts. Bettany Hughes’s approach is sociological. 

    Revolt

    Revolution and revolt, while arising from the same root word, are not exact equivalents. A revolt is usually localised, spontaneous, focused on a specific grievance, and most often brief or temporary. The word comes from the Latin revolvere, to roll back or turn over.  

    Revolution shares the same Latin root but evolved later out of the noun revolutio, meaning turning a complete circle (turning around completely). A revolution is embarked upon with the intention of bringing about permanent change. Political actions often fall into these two camps. 

    Revolts have occurred throughout recorded European history. 

    There were revolts against the Romans by all manner of peoples. In late antiquity, there were revolts against the Byzantine Empire by the Samaritans, Jews and the Slavs – all ethnic underclasses. Later, revolts broke out against the Crusader States and the various European petty-kingdoms.

    In medieval times, Flemish peasants and urban workers revolted; later, peasants in northern France (who rose against the nobility); in Italy, wool-carders and labourers struck; and in England, there was the Peasants’ Revolt against the Poll Tax. All were about injustice; many ended badly. 

    Books on the Great Revolt of 1381 are plentiful. Worth reading are: ‘England Arise: The People, the King and the Great Revolt of 1381’ by Juliet Barker and ‘A Dream of John Ball’ by William Morris (plus any history of Richard II’s reign).

    Plague

    It is estimated that the Black Death killed nearly half the population of Europe, and as a result, the peasantry found that they had gained bargaining power. Because the plague caused a severe labour shortage, the feudal system weakened, and serfs, realising they could move freely, sought work with the highest bidder. 

    Revolts invited a counteraction, and four years after this free movement became apparent, the English Parliament passed the Statute of Labourers Act (1351). 

    The Act froze wages at pre-plague levels and granted feudal lords the right to arrest and brand peasants who left their feudal village. It was not successful because many Lords bent the rules, and those who didn’t soon found themselves short of labour. The 1351 Labourers’ Statute lit the fuse for the Great Uprising (led by Wat Tyler and John Ball). 

    They won: the Poll Tax was dropped, but the promised broader reforms were reneged on. And despite the leaders being offered an amnesty by King Richard II, Wat Tyler was stabbed during the negotiations and taken to the Tower to be hanged. Poor John Ball, a wandering priest, was hunted down, hanged, drawn and quartered.  

    – – – – – –

    While travelling around the Baltic, I was intrigued by the merchant houses. They are instantly recognisable, and through these impressive, utilitarian dwellings I learned of another revolution that began in medieval times. 

    A group of private shipping merchants formed a collective to deal with piracy and banditry. The Hanseatic League (Hansa) became so powerful that it cowed the feudal lords of the Baltic. Before the league formed, merchants had no standing because feudal lords recognised only three strict classes: Nobles (who fought), Priests (who prayed), and Peasants (who worked). 

    The ‘Hansa’ merchants emerged as a powerful and autonomous middle class who broke the ties with those who owned the land. The League, leaderless but united, weaponised its collective bargaining power, forcing rulers to waive feudal privileges; when challenged, they created free ports, raised private navies, and toppled kings.  

    This was especially evident in Tallinn, Estonia. The town has two ancient walls: a large one around the entire city, built by the merchants to protect them from raiders, and an inner wall, built to protect the feudal lords on the hill from the powerful ‘Hansa’ league below.

    The merchants offered former peasants paid employment and trade training, lifting them out of poverty. The merchant houses are interesting because they lack ostentation. They follow a uniform, practical design (regulated by the league): usually three stories high, with a warehouse, staff living quarters, and the merchant families’ quarters. The league had no formal structures or office holders and operated as a loose confederation.

    In Tallinn, we visited a medieval church where we saw a mural depicting the Dance Macabre, painted during the Black Death. The mural showed bishops and feudal lords dancing with skeletons. The message was clear. The plague is a leveller, and wealth or privilege won’t protect you. 

    ‘Salt: A World History’ by Mark Kurlansky is an excellent book, and it covers the rise of the Hanseatic League in detail.  Also, ‘The Baltic Story’ by Caroline Boggis-Rolfe.

    Revolution 

    Revolutions are mass movements aimed at bringing about regime change or dynastic change and were a feature of English life in Tudor and Stuart times. 

    The Catholic Queen Mary I, in a mass uprising, overthrew the protestant, Lady Jane Grey (1553), while in 1642 the Puritans, supported by a rising merchant class, overturned dynastic rule, forming the Commonwealth. In both of these revolutions, regime change was achieved, and in both cases, the old regimes were later welcomed back with open arms. 

    Both revolutions succeeded, but both illustrate a problem that follows a revolution. The old saying about the generals occupying the palace the day after the revolution is apt. Utopian dreams can easily turn into nightmares, and freedoms won can be just as easily lost. One yoke can be exchanged for another.

    After a revolution, chaos often follows, and pathways open up: democracy, more chaos, or authoritarianism. The justification for bringing in authoritarian rule after a political upheaval usually follows a standard script. This is necessary to protect you from the enemy within and without. What begins with lofty ideals and enthusiastic support can quickly turn nasty. 

    Among Peter Ackroyd’s series of books on the history of England is volume IV, ‘Revolution’. This volume covers the period from William of Orange’s arrival to the defeat of Napoleon at Waterloo. 

    At the beginning of William and Mary’s reign, a bloodless revolution took place. A group of aristocrats and gentry, acting in their own best interests, drafted a declaration later known as the Bill of Rights. That document ended the divine right of kings, and the power to enact laws and levy taxes shifted to Parliament. It was known as the ‘Glorious Revolution ’, and by removing power from the king, the aristocracy had placed it firmly in their own hands. 

    While the French Revolution caused violent upheaval, the English, mindful of the earlier English Civil War, underwent a period of incremental and largely peaceful revolutions. By the end of the Georgian era, we have the writings of Mary Wollstonecraft, Thomas Paine, William Wilberforce, Thomas Spence and the Regency Radicals. 

    Essential reading on the development of political theory is Jean-Jacques Rousseau’s ‘The Social Contract’. It introduces the revolutionary idea that everyone’s voice should be heard when formulating a nation’s policies, and that elected officials have a social contract with all citizens.

    ‘The social pact, far from destroying natural equality, substitutes, on the contrary, a moral and lawful equality for whatever physical inequality that nature may have imposed on mankind; so that however unequal in strength and intelligence, men become equal by covenant and by right’ – Rousseau

    Industrial Unrest, the Abolitionist Movement and Economic Radicalism

    Because of the ill effects of the Industrial Revolution, such as the displacement of agricultural workers, the rise of city slums, child labour and appalling working conditions, a revolutionary movement led by labouring workers and artisans emerged. 

    Led by weavers, the Luddites broke into factories and destroyed automated looms, while in rural areas agricultural workers smashed threshing machines. Amid growing anger over rising child labour, low wages, and unsafe working conditions, trade unions emerged. 

    Medieval trade guilds had set a model, formed during the great age of cathedral building. Realising their power, the guilds pioneered collective bargaining and threatened to withdraw labour to secure better conditions.  

    During this period of unrest, two significant protests captured the public imagination. After these events, the ruling parties and the industrialists found it impossible to retain the status quo.  

    The first was the ‘Peterloo Massacre’, which occurred on the 16th August 1819. On that day, a peaceful crowd, estimated as being between 60,000-100,000 working-class demonstrators, met to demand parliamentary reform, universal suffrage and relief from poverty. 

    A local magistrate, alarmed, ordered the 15th Hussars to disperse the crowd with disastrous results. Although it was a peaceful assembly, a sabre charge was ordered, killing 18 people and injuring up to 700 others. The government’s initial response was to crack down, but a public outcry led to a decade of reform. 

    I  met  Murder  on  the  way –

    He had a mask like Castlereagh –

    Very smooth he looked, yet grim;

    Seven blood-hounds followed him:

                                                        Percy Bysshe Shelley (The Mask of Anarchy)

    The second was a farm workers’ protest in 1834, when 6 men were arrested for forming an agricultural workers’ union by swearing an oath. They were led by a Methodist preacher, George Loveless and their grievance was centred on an employer’s legal right to lower a worker’s wages unilaterally. 

    These men are now referred to as the Tolpuddle Martyrs. For protesting and swearing an oath, they were sentenced to seven years’ hard labour and transported to Australia. 

    A public outcry and demonstrations followed, with an 800,000-signature petition being sent to Parliament. Under intense public pressure, the government caved, pardoned the men, and returned them to England. 

    During this period, land reform and the abolition of slavery occurred too. The Reform Act of 1832 changed the electoral landscape forever by abolishing 56 rotten boroughs (electorates bought and sold by the wealthy). Some rotten boroughs were tiny plots of land, while industrial cities like Manchester and Birmingham had no representation. 

    Once these seats were redistributed, the voting population increased by 50%, and the anti-slavery urban middle class gained a voice. The new voters demanded the abolition of slavery, and it was outlawed soon after that.  

    I wonder if those who fail to exercise their right to vote today realise how hard-won this privilege was. 

    Karl Marx, the Fabian Socialists and World War 1

    During the Victorian era, the underclass gained greater political awareness, and several influential political theorists emerged. Karl Marx was foremost among them: his most famous work, Das Kapital, fuelled revolutions and liberation movements. 

    Marxist theory is still widely debated today, and even those on the right reluctantly accept some of his insights (that capitalism features boom-and-bust cycles and has the unprecedented capacity to accelerate technology and concentrate wealth). Those last points are extremely relevant today, as a billionaire class, with its pet technologies, hurtles us toward danger.

    Marx’s core ideas were: (1) that material conditions and economic activity, not religion, shaped history, (2) that society is divided into the owners of production and wage workers, (3) that profit comes from paying a worker less than the actual value of the goods they produce. Marx also observed that workers could withhold their labour; however, he saw this as a temporary step toward abolishing the wage-labour system entirely.

    Collective bargaining, as used by the modern trade union movement, is based on the right to withhold labour. However, it is not Marxist, as it aims to bring about fairness and social justice, while still operating within the capitalist system. 

    Other socialist thinkers wrote during the Victorian era, including John Ruskin, William Morris, and Charles Kingsley, along with his Christian socialists. Kingsley wrote, bitingly: 

    ‘We have used the Bible as if it were a constable’s handbook – an opium dose for keeping beasts of burden patient, while we overload them’.

    A little later came the Fabians. Their leading lights were George Bernard Shaw, Beatrice and Sidney Webb, Annie Besant, Eleanor Marx and Beatrix Potter. The Fabians believed that capitalism should be reformed step by step, incrementally transforming society until socialism was achieved. This put them at odds with the revolutionary socialists like Vladimir Lenin.

    The Fabians believed the state and municipalities should control all essential utilities (gas, sewage, water, electricity, public transport networks). Their aim was a state-planned economy that worked for the greater public good. This laid the groundwork for the first Labour government, which went even further.  

    The Fabians may have helped shape policy, but the UK Trade Union Congress (TUC) created the UK Labour Party. At the 1889 congress, delegates voted to establish a political body better able to secure working-class representation. 

    In 1906, the Labour Representation Committee (LRC) officially renamed itself the Labour Party. 

    The late 19th and early 20th century also saw the rise of women’s suffrage militancy.  

    In the years preceding the Great War, over 3,000 strikes occurred in  Britain, and this newfound militancy was spreading elsewhere, too. Confrontations between labour and the establishment surged worldwide. 

    In Russia, a feudal empire fell, while in Canada, Australia and New Zealand, heated confrontations were occurring. Working people were no longer prepared to live in abject poverty while the ‘robber barons’ grew fat off their labour. That period in Britain became known as ‘The Great Unrest’.

    Just as they were gaining traction, World War 1 intervened. The labour movement’s push to create the first British Welfare State stalled; greater equality and a national health system would have to wait.

    While strikes were outlawed during the Great War, the appalling way that the soldiers were treated further radicalised them.

    Influential writers like George Orwell, H G Wells, Upton Sinclair, Bertrand Russell, Laurie Lee, and John Steinbeck advocated class solidarity and promoted socialist democracy.

    The Quest For Security and The New Zealand Labour Movement.

    The New Zealand Labour movement shares its DNA with the UK Labour Movement. It got off to an early start in 1840, when a carpenter named Samuel Parnell insisted on a 40-hour week.

     As the colony grew, so did trade unions, working men’s organisations and suffrage groups.

    Exploitation was rife, and New Zealand workers, often hardened by their experiences in their home counties, were in no mood to suffer in silence. Nowhere was this more apparent than in the mining sector.   

    In 1908, New Zealand lost its short-lived reputation as being ‘a land without strikes’. This occurred when 7 Blackball miners, led by Paddy Webb and Pat Hickey, took longer than 15 minutes to eat their lunch. Meal breaks were called ‘crib time ’, and the mine owners resented them. It was time away from digging coal, and that was all they cared about. For exceeding their 15-minute meal break, they were fired on the spot. 

    This led to an all-out strike, the union demanding reinstatement and a 30-minute lunch break. The case went to compulsory arbitration, where the firing was upheld. The union was then fined £75, which the men refused to pay, and so their assets were seized and put up for auction. 

    The auction was a farce because local solidarity meant that only a few pennies were raised. 

    The conditions at the mine were appalling, too: silicosis was rife, the equipment was makeshift, and the housing was substandard.  

    Because the men held firm, the company soon capitulated, giving their jobs back, abandoning a proposal to extend the working day and no longer docking them for the time it took them to be lowered into the pit. 

    One miner, Pat Hickey, went on to become secretary of the ‘Red Feds’ (The Federation of Labour), another, Bob Semple, became a senior minister in the first Labour Government, and Paddy Webb became the editor of the influential ‘Maoriland Worker’ newspaper. The New Zealand Labour Party began in Blackball. 

    The ‘Maoriland Worker’ was founded in 1910 by the Christchurch Shearers Union and it later became ‘The New Zealand Worker’ and subsequently ‘The Standard’. It was a quality publication and, at one point, had a circulation of 10,000. 

    The paper, though, struggled to meet libel costs and faced police harassment during World War 1. In 1922, the paper was charged with ‘blasphemous libel’ for publishing a poem by Siegfried Sassoon. This was the only time such a charge has been laid in New Zealand. 

    Other pivotal events leading to the formation of the NZ Labour Party were the Waihi miners’ strike (1912) and the waterfront strike (1913). The waterfront strike involved 16,000 workers, and so the conservative Prime Minister, William Massey, sent in the navy and a large number of volunteer ‘special constables’ (Massey’s Cossacks). After that, the union decided that the New Zealand Labour Party should contest the next election.   

    Before this period, many working people had moved to New Zealand, seeking a better life. This is what brought Paddy Webb to New Zealand. He forged his militancy on Australia’s goldfields, alongside fellow miner Micky Savage (Michael Joseph Savage).

    Savage grew up in the Victorian countryside, where poverty had forced him to become a swagger. He eventually worked on the alluvial goldfields, where he met Webb, who later suggested he come to New Zealand. He arrived in 1907, working as a labourer and organising for the unions, until entering parliament in 1919. 

    He became the party leader in 1933 and, in 1935, became New Zealand’s first Labour Prime Minister. 

    His achievements and those of his successor Peter Fraser were significant: fairer industrial legislation, a statutory minimum wage, the 40-hour week, 8 public holidays, free secondary education up to age 19, the country library service, the Fair Rent Act, the unemployment benefit, the Public Works Act, extending the pension system and universal free healthcare through the Social Security Act. 

    The provision for universal healthcare initially included GPs, but pushback from the British Medical Association led to a compromise. “From the cradle to the grave” was the defining slogan of the first Labour Government’s welfare system. The premise was simple: everyone was entitled to a decent standard of living. 

    The Labour government guided and hastened NZ out of the Great Depression by reversing wage cuts, spreading wealth, building state houses, improving infrastructure, and cancelling austerity measures.

    Among the best social histories of Colonial and Post-Colonial New Zealand are the works of Michael King, Claudia Orange, James Belich, Ranganui Walker, and Vincent O’Malley. Patricia Grimshaw’s history of the women’s suffrage and temperance movements in New Zealand is also important reading. New Zealand was the first in the world to achieve universal suffrage. 

    While the above struggles were occurring, and largely unnoticed, a harsh poll tax was imposed on the Chinese. In 1860, gold miners were enfranchised, and Māori men obtained the vote in 1867.

    – – – – – –

    My partner Darien’s family is part of this story. Her grandfather, Fred Frost, a coal miner from Sunderland, came to New Zealand in 1911 and found work at the Millerton mine (Buller). He was a union man and was involved in the struggles which raged along the West Coast.

    A few years later, along with other New Zealand miners, he was sent to Arras with the sappers during WW1. 

    The commander of his Tunnelling Company later complained. ‘I had 17 ex-secretaries of Labour Unions in the unit, as well as members of the ‘Red’ Federation of Labour’.  Her grandfather Fred was later elected to Parliament with Michael Joseph Savage in that first Labour Government (1938). During his fiery maiden speech, he spoke about his commitment to socialism.  

    On the other side of Darien’s family was a famous Irish rebel. She is a direct descendant of Charles O’Brien, one of two men who were hanged at Youghal Gate in 1798, County Cork. He was hanged for being a member of the forbidden United Irish Party. Darien, a staunch unionist too, went on to become a Labour member of parliament, like her grandfather.

    My point of connection is modest by comparison. I was a regional organiser for the New Zealand Workers Union, the same union that Micky Savage had belonged to in Australia and New Zealand. Like Savage, I organised shearers and rural workers. At one time it was among the largest of New Zealand Unions, but it eventually came to a sad end.  

    When in Wellington doing wage negotiations, I would marvel at the old Standard Press, still located in the union building.  The famous workers’ newspaper ‘The Standard ‘; the voice of the Red Feds and the Labour Party; the newspaper with its origins in the Flax Workers and Shearers union; and most importantly, the ‘Maoriland Worker’. I love printing presses, and this one was special.

    The Social History of the Twentieth Century  

    Anyone interested in social histories will find rich pickings in books written about the twentieth century. It is far enough behind us to be properly evaluated, but close enough to be put under a critical microscope. 

    Tony Judt’s writings are an excellent place to start. His book ‘Postwar’ brought him international fame, but his clear-eyed examination of the state of Israel also brought him controversy. He was born to secular Jewish Parents, but became disenchanted with Israel after the Six-Day War. 

    A Public intellectual, socialist democrat, and a harsh critic of Reagan’s neoliberalism and Thatcher, but also someone who held the left to account. Other works of his are ‘Ill Fares the Land’, ‘Reappraisals: Reflections on the Forgotten Twentieth Century’, ‘Thinking the Twentieth Century’.

    Another social history worth reading is ‘Lives Between the Lines’ by Michael Vatikiotis. It covers the fading years of the Ottoman Empire and the diverse ethnicities that thrived there. In a similar vein is ‘A Peace to End All Peace’, by David Fromkin, about the carve-up of the Ottoman Empire and the consequences, still playing out today.   

    ‘1956: The World in Revolt’ by Simon Hall is fascinating, as he gives a snapshot of a turbulent year in post-war Europe and America. It was a year of the Bread Rebellion in Poznan (Poland), the Hungarian Uprising, Mandela’s Long March, Martin Luther King and the Montgomery bus boycott, the Cuban Uprising, the Algerian War of Independence, the Cypriot Insurgency, and the Suez Crisis. 

    Lastly, and not least, is the youth counterculture revolution of the 1960s. The movement began earlier with the ‘Beats’, and while the so-called ‘summer of love’ got the media’s attention, broader forces were at work. Youthful feminists, environmental activists and anti-war activists militated for change, and the reverberations circled the world. 

    Baffled parents watched their children dropping out – questioning the technocracy and conservative values – challenging racism, orthodox religion and the corporate industrial society.  

    In May 1968, a student and labour uprising in France brought the country to its knees. It began on the campuses and was followed by a general strike involving 10 million workers. Charles de Gaulle temporarily fled Paris, but the strike ended after generous wage settlements were offered and accepted. 

    The last strikers to leave the barricades in 1968 were the schoolchildren (their modern counterparts have just occupied the barricades again).

    Many books and essays capture this movement, but a favourite of mine is ‘The Making of a Counterculture’ by Theodore Roszak. Many regard the counterculture revolution as a failure, but was it?  

    This post draws on my own reading habits, so the threads reflect my tastes and biases. Others will make different connections, but the point of reading history is to understand how we got here, and hopefully, to absorb history’s lessons. 

    To fully understand fascism or the forces of neoliberalism, we need historical context. We live in perilous times, and understanding the arc of history has never been more important. 

    Note: I have not included India or the Far East; I will post about them separately.

    Sources: The Wordsworth Dictionary of British Social History, The Story of Philosophy by Bryan Magee, ‘Plutarch’s Lives’ – unabridged, ‘The Histories’ by Herodotus, ‘The Birth of Classical Europe’, by Price & Thonemann, ‘The Hemlock Cup: Socrates, Athens & the Search for the Good Life’ by Bettany Hughes, ‘England Arise: the People, the King & the Great Revolt of 1381’ by Juliet Barker, ‘A Dream of John Ball’ by William Morris, ‘Salt’ by Mark Kurlansky, ‘The Baltic Story’ by Caroline Boggis-Rolfe, ‘Elizabeth 1’ by Anne Somerset, ‘Cavaliers & Roundheads’ by Christopher Hibbert, ‘Revolution: The History of England vol IV’ by Peter Ackroyd, ‘A Vindication of the Rights of Women’ by Mary Wollstonecraft, ‘The Rights of Man’ by Tom Paine, ‘The Social Contract’ by Jean-Jacques Rousseau, ‘The Mask of Anarchy’ by Percy Shelley, ‘Das Kapital’ by Karl Marx, ‘Unto this Last’ John Ruskin, ‘The Christian Socialist’ Charles Kingsley, ‘The First Fabians’ Norman & Jeanne MacKenzie, ‘The Road to Wigan Pier’ George Orwell, ‘Animal Farm’ George Orwell, ‘As I Walked Out One Midsummer Morning’ by Laurie Lee, ‘The Red & the Gold’ by Stanley Roche (Waihi Miners Strike), ‘Tatau Tatau: One Big Union All Together: the Shearers & the Early Years of the New Zealand Workers’ Union’ by John E Martin. ‘From the Cradle to the Grave’ by Barry Gustafson, ‘New Zealand Labour Party’ by Peter Franks & Jim McAloon, ‘Tomorrow Comes the Song: a life of Peter Fraser’ by Michael Bassett & Michael King, ‘The Quest for Security in New Zealand:1840 to 1966’ by Dr Bill Such, ‘Women’s Suffrage in New Zealand’ by Patricia Grimshaw, ‘Bread & Roses’ by Sonja Davies, ‘Thinking the Twentieth Century’ by Tony Judt, ‘Ill Fares the Land’ by Tony Judt, ‘Postwar’ by Tony Judt, ‘Lives Between the Lines: A Journey in Search of the Lost Levant’ by Michael Vatikiotis, ‘A Peace to end all Peace’ by David Fromkin, ‘1956: The World in revolt’ by Simon Hall, ‘The Making of a Counterculture’ byTheodore Roszak, ‘Jumping Sundays’ by Nick Bolinger’—photographs: The Danse Macabre, Tallinn; Hansa houses, Tallinn.   

    by Walter Crane: Fabian Socialist illustrator
  • Old Mail & Packet Ships

    Old Mail & Packet Ships

    ‘I have made this letter longer than usual, as I have not had time to make it shorter’ – Blaise Pascal

    ‘Every morning my train is eleven minutes late. This is infuriating. This morning I took a later train. That was also eleven minutes late. This also was infuriating. Why don’t you re-time all your trains to arrive eleven minutes late? – then they will all be on time’.  – Reginald Iolanthe Perrin

    ‘On the 24th of August, about one in the afternoon, my mother desired him [her brother] to observe a cloud which appeared of a very unusual size and shape.’  Pliny the Younger to Tacitus – referring to the Pompeii eruption – 108 BC

    Some of the earliest events in recorded history are found in letters.  A letter, by definition, is a communication between two people (or to a group), using an intermediary as the means of delivery. Libraries, mine included, have books full of people’s letters; usually those of famous writers or historical figures, but some of us, the lucky ones, have old family letters.

    Although I was a voracious reader in my youth, I was a terrible letter writer. I attribute this to several factors: my embarrassingly childish handwriting and the fact that I was made to write thank-you letters to my relatives (before I could play with my presents). My parents were the kindest and most tolerant people imaginable, but in this, they were immovable. As a result, I foolishly concluded that letter writing was a form of child torture.

    My mother, in a secretarial capacity, would transcribe my father’s outward mail, complaining that he should have been a doctor with such an illegible scrawl. In my family, the further back you go, the better the handwriting gets. 

    To the historian and genealogist, a trove of letters is an invaluable source of information. Old letters should be examined with care, because a shared confidence, written long ago, can become a revelation to modern eyes.   

    Horace Walpole, the dilettante son of an 18th-century British Prime Minister, was a prolific letter writer. He wrote letters for posterity, and with that in mind, he chose each recipient carefully. He selected them from across the political spectrum and from a range of geographical locations. And as he learned of Europe’s affairs from them, they learned of England’s affairs from him. On receiving a reply, he would attach it to a copy of his letter, and file both by date (and if he’d forgotten to keep a copy of his outward letter, he would send another letter asking for it to be returned).

    This was more than just a friendly exchange of letters. He elicited the information with a view to publication and to provide a historical record for later generations. His letters are now a prime source of information about 18th-century politics and scandals. He is the only example that comes to mind of a man of letters whose occupation was ‘true to label’.  I have a complete set of Horace Walpole’s letters, all 16 volumes of them. (edited by Paget Toynbee).     

    The history of letters is the history of writing, and they are valued because they are often unfiltered. Business letters, though, can be dreadfully uninteresting, but they do improve with age, especially if written in cuneiform. The Egyptians, Persians, Greeks, Phoenicians and the Romans all wrote letters. Many have survived, the Pauline letters being the most famous. 

    The ancient historian Hellanicus credits Queen Atossa of Persia (500 BC) with inventing letter writing. While there’s no way to verify his claim, it’s a lovely story, and I like to think that a woman began the practice. Moved by that story, Edmund Gosse, a ‘man of letters’ with a fondness for cats, named his favourite feline Atossa. She would sit regally beside him on a cushioned chair as he wrote.

    In my library there are many books written by ‘men of letters’ like Gosse. It is a term seldom used today as it sounds a bit pompous and sexist. It did not, however, mean that there was a class of men who spent every waking moment writing to people (Horace Walpole excepted); it merely meant that they were literary scholars of note. 

    Novelists often weave correspondence into the narrative too, and in many cases, the entire novel can be an exchange of letters. These epistolary novels came about in the 18th Century and quickly gained popularity. Some of the more famous examples are Samual Richardson’s ‘Pamela’, John Cleland’s erotic novel ‘Fanny Hill’, and ‘Les Liaisons Dangereuses’ by Choderlos de Laclos. A more recent example, and one bibliophiles are fond of, is ’84 Charring Cross Road’ by Helene Hanff. 

    The Cross-Hatched Victorian Letters

    In a small room, adjacent to my library, sits a lacquered wooden case. It is not in the best condition; the corners are chipped, and the interior silk compartments are woefully detached, but when it’s opened, old family wills and other documents spill out. Under them, in disarray, are hundreds of old letters, most written in beautiful copper-plate script. 

    The writing box belonged to my great-grandmother Mary Louise. She died when I was young, but she left behind lots of photographs, assorted memorabilia and interesting stories. We lived in Clevedon village at the time, and she would join my family on shopping excursions to Papakura (a small country town then). On one such visit she said despairingly, ‘Papakura gets more like London every day’. She was a keen correspondent, and her letters take us back to the heart of the Victorian era. As a child, she was called Marie (as in Marie Antoinette). 

    Writing boxes were commonplace in the 1800s, but few survive today. They survive in our house along with old sea chests and other such receptacles. They survive because our forebears loved history and the receptacles were stories in themselves. My family were always collectors – which is to say, history hoarders. 

    Many of the letters in the case are cross-hatched, and that style of writing, along with triple hatching, can defeat modern archivists; and as I was to learn, defeat open language AI, too. For the agile minds of Victorian women, cross-hatched writing presented no such challenge. This was common practice in the Victorian era, because paper was scarce and because postage was determined by weight. Because it’s hard to read a cypher over someone’s shoulder, sisters could exchange confidences with a degree of privacy. 

    The readable letters are often affectionate and bursting with news. One letter from a friend reads like an excerpt from a Jane Austen novel. It concerns Mary’s upcoming marriage and begins, ‘My dear Mary, you must think Sarah and I the meanest of creatures… but we have suffered a loss of funds, and as our affairs are not yet settled, we have not a penny to spend. I regret that you are so far away, as I should have liked to see your pretty things. 

    The letter and the envelope are black-edged, which signals bereavement. The black edging warns those of delicate sensibilities that there’s distressing news inside. That particular letter made only a vague reference to such an event – the mention of settling our affairs.

    Mary Louise Phillips was born in Paris, but spent her childhood in London. She arrived in New Zealand with her mother Frances Ann Codner Phillips (nee Ford) on the barque Fern Glen. She turned 12 the day after disembarking from a 101-day voyage. Her father George Newell Phillips preceded them. 

    Many of her New Zealand letters date from 1884, when she was studying to be a ‘pupil’ teacher. Her father was head teacher at a Thames high school, and while he taught in Thames, Mary’s mother Frances, terrified by the prospect of living in a gold mining town with 140 hotels, set up house in Ponsonby Road, Auckland. 

    Among Mary’s letters are those to (and from) her mother, sister, father, friends in England and a persistent suitor; and intriguingly, letters from a London solicitor named Alexander Pope. The solicitor’s letter concerns a bequest to her made by a Miss S B Evens of Trafalgar Square – which, according to Mr Pope, required several lengthy cases in the Chancery Court to settle. 

    When I read that, I immediately thought of ‘Bleak House’. Was the eponymously named Alexander Pope of Grecian Chambers a version of Mr Jarndyce? After the drawn-out Chancery Court proceedings, the remainder of the bequest amounted to €325. As Mary’s grandmother was named Ann Evens, the bequest likely came from an Aunt. 

    The names Evens and Ford are both associated with the ‘mail packet’ trade, and to a related family tragedy. Seeing Miss Evens’ name on the will had triggered a memory, and I knew where I’d seen the name before. Inside a Victorian leather calling card case. I carefully teased out the cards, and after spreading them out and doing a little research, things came together. The names connected families in the shipping trade and the Trafalgar Square address clinched it. 

    No. 60 was the business address that captains and the merchants used.

    Mail Ships and the Victorian ‘Packet Trade’

    Captain Ford was Mary’s grandfather. He was a master mariner and cloth merchant. One of his earlier commands was the merchantman Thomas Laurie, a 300-ton barque-rigged ship which took the first lot of direct mail from Van Diemen’s Land (Tasmania) to London.

    His next command was a barque named Memnon. It left Liverpool in 1841 and foundered on the rocks just outside of Bombay harbour. The Bombay Gazette states that all hands survived, but the entire cargo of fine cotton was lost (Captain Ford died months later of hypothermia – perhaps during a later wreck). 

    The number of ships that went down at that time was astounding. One report blames the ‘packet trade’ for this. Packet sailing vessels took terrible risks to meet postal schedules, and were seldom fitted out as well as a naval ship or a dedicated merchantman. 

    The Mail Packets were a specific type of vessel. They followed set routes and adhered to strict timetables. Because the mail services were poorly remunerated, the ships carried cargo and passengers as well, and due to the quick turnaround, often ignored adverse weather warnings. British ‘packet ships’ were covered by the Postage Act of 1779, which legally obliged captains to deliver the mail to the postmaster at their port of destination, in a timely fashion. 

    I have lots of books which reference the packet ships, and many writers complained about them. Rudyard Kipling wrote about them with fondness, as did Somerset Maugham, but Byron moaned about the cramped conditions and wrote a satirical poem about the experience. Dickens was also unimpressed, and Conrad thought them inferior craft, while Samuel Clemens (Mark Twain), who was a pilot on river packet boats, loved them. Daniel Defoe (1660- 1731) wrote the first book featuring packet ships. 

    In New Zealand, inland mail services by train and road did not supersede the sea-mail services until the late 19th century. Practically all overseas mail came by sea until the 1940s, after which Air Mail gained in popularity. In 1914, 110 million letters, 5 million postcards and numerous packages and newspapers arrived by sea. 

    With 1914  in mind, I will include photographs of three items from the writing box. Letters from (and about) Mervyn Leigh Waters. They relate to the 1914-1918 war and the Gallipoli campaign. 

    The first is an appallingly clinical letter from the NZ Military Records office, received by my great-grandfather in 1916. It informed him that his son Mervyn had been killed in Palestine. In addition, I will add a letter sent by Mervyn,  just before his death. Owing to vagaries of mail at the time, the letter announcing that he had been killed in action arrived before his postcard saying that he was in good health.

    I hope that we will continue writing letters, and write better ones than the NZ military wrote, but I fear it’s a dying art. The last words on letter writing are about Mary’s father, George Newell Phillips, who, according to a newspaper item, became a public speaker after he retired. A local paper praises his comedic turns of phrase and writes that he taught the art of letter writing long into his retirement. And the last, and somewhat disparaging words about packet mail ships go to Joseph Conrad.

    ‘three hundred miles beyond the end of telegraph cables and mail-boat lines, the haggard utilitarian lies of our [European] civilisation wither and die’

                                                                                                   Joseph Conrad

    Photographs, items and books referenced: ‘The Letters of Pliny’ trans. Melmouth, ‘The Faber Book of Letters’ ed.Felix Pryor, ‘Letters of Travel’ by Rudyard Kipling, Traffics and Discoveries’ by Rudyard Kipling, ‘Lord Jim’ by Joseph Conrad, ‘The World Over’ by William Somerset Maugham, ‘About Ships’ by Syd Nicholas, ‘Pamela’ by Samual Richardson, ‘Bleak House’ by Charles Dickens, ‘84 Charing Cross Road’ by Helene Hanff, ‘Fanny Hill’ by John Cleland, ‘Liaisons Dangereuses’ by Choderlos de Laclos, ‘The Letters of Horace Walpole’ ed. Paget Toynbee, ‘The Bombay Gazette’, a shipping report from The True Briton (1808), three WWI letters concerning Mervyn Waters, various letters to and from Mary Louise Mellsop, the settlement of a will sent by Alexander Pope, solicitor, the Victorian writing box, portable inkwell (18th century), pen nibs and case, Mary Louise Mellsop.

  • Following Mary Shelley: Frankenstein and Beyond

    Following Mary Shelley: Frankenstein and Beyond

    Part Two: link to part one here

    “The whole series of my life appeared to me as a dream; I sometimes doubted if indeed it were all true, for it never presented itself to my mind with the force of reality.”

    Mary Shelley – From Frankenstein

    It was bitterly cold when I headed for Auckland Airport, and I was glad to be escaping a bleak Winter. Happily, my destination was Geneva, which was experiencing a particularly warm Summer. A summer in stark contrast to the one in 1816; a time of crop failures, violent electrical storms and icy cold. It was not known then, but we know now, that the Tambora eruption in the Dutch East Indies (Indonesia) was responsible. It is regarded by volcanologists as the biggest volcanic event in human history and is estimated to have killed 90,000 people. Across Europe, people huddled by the fireside, and at the Villa Diodati, on the shores of Lake Geneva, ’Frankenstein; The Modern Prometheus’ was born.

    Biographies and histories are the best travel guides so, as I was headed into Shelley territory, I armed myself with a few paperbacks from my library: Peter Quennell’s ‘Byron in Italy’, Muriel Spark’s ‘Mary Shelley’, Edward Trelawny’s ‘Records of Shelley, Byron and the Author’ and Henry James’s ‘The Aspern Papers’. The prospect of doing some literary sleuthing was invigorating; a practice otherwise known as stalking dead authors. 

    My partner Darien (along with Ken Douglas, Roslyn Noonan and Paul Tolich) was a Council of Trade Unions delegate to the ILO (UN International Labour Organisation). I flew to join her in Geneva as it was an opportunity too good to miss. So while Darien worked, I explored, and as I roamed through the city and neighbouring countryside, I crossed paths with the ghosts of Jean-Jacques Rousseau, Voltaire, Sherlock Holmes and Edward Gibbon. I have a fondness for them all, but the encounters that interested me the most were those associated with the Shelleys. 

    The Hotel d’Angleterre is located in the old town, but when I located it, I was disappointed. What I saw didn’t match my expectations. It was the wrong Hotel d’Angleterre. The Hotel I was seeking was located further around the lake in beautiful Lausanne. 

    ——————–

    There, in 1816, Percy Shelley and Lord George Noel Gordon Byron met for the first time. The meeting resulted from a plan hatched by Mary Shelley’s step-sister, Claire Clairmont. Byron was surprised by the encounter and soon warmed to the Shelleys, but he was not so pleased to see Claire, who was pregnant by him. He and Claire had had a brief fling in London, which he regarded as a mere dalliance and had no desire to rekindle. 

    Byron had left England earlier, hoping to leave his scandals behind. Never one to travel light, he employed Dr John Polidori as his personal physician. Polidori had recently qualified as a doctor but could not yet practice medicine. He was glad of the post as he was desperately short of funds. The role proved to be far from the godsend he imagined, though. Byron made him the butt of cruel jokes at every opportunity and, as a servant, he couldn’t respond. He was sensitive and had a miserable time. As Lady Caroline Lamb so famously observed, Byron was ‘mad, bad and dangerous to know’. In modern parlance, he could behave like an entitled prick. 

    Shortly after the meeting in Lausanne, Byron moved across the lake to the Villa Diodati, and there a parlour game was proposed. Everyone would devise a ghost story. The Frankenstein story and the first Vampire novel were hatched as a result. Some have speculated that Dr Polidori’s potions accelerated the process, but no documentary evidence supports that. It is worth noting, though, that opium and cannabis tinctures were widely used by the Romantics, and in fact by the general populace at the time. 

    ——————–

    On the day that I set out for Villa Diodati, the streets were almost deserted. Uncharacteristically, the Genevans had abandoned work en masse to watch the Football World Cup final and, because it was blazing hot, walking soon lost its appeal.

    When I boarded the bus to Cologny, the only other passenger demanded to know my nationality and why I wasn’t watching the football.  ‘I’m from New Zealand’, I replied, but he cut me off before I could answer the second question. ‘Ah yes’, he said, shaking his head sadly, ‘that explains it, that certainly explains it’.

    In 1816, the Villa Diodati was in the countryside, and approached by a long carriageway. Now, it was nestled among the houses of the comfortably off, and to my dismay, was undergoing repairs. I sneaked past a ‘do not enter’ sign, and hidden from sight, found a good vantage point. There, I took a photograph and sat awhile, looking at the upper story windows and imagining the goings-on there 200 years ago (the photograph added below).

    I’m not sure how long I sat there daydreaming, but a sudden electrical storm brought me to my senses. The storm had appeared mysteriously out of sunny skies, hiding behind the Juras until it was ready to pounce, a reminder of 1816. 

    The goings-on in the Villa are well documented, and what occurred there has been the subject of biographies, novels, plays, movies and even a Dr Who episode. Obsessives hunt down such locations, the places where the writers were inspired, hoping to find a portal, attempting to see through their eyes.

    ——————–

    Apart from scaring each other with stories, Byron and Shelley (Percy) hired a small craft and toured the lake for a week. We also know that Shelley almost drowned just off Lausanne.  Shelley, who could not swim a stroke, was obsessed with sailing craft. Nothing appeared to deter him.

    While exploring the Château de Chillon, near Montreux, the pair heard a story about a patriotic monk who’d been imprisoned for defying the Savoy rulers. Byron’s poem The Prisoner of Chillon is one of his most famous.

    “They chain’d us each to a column stone,

    And we were three—yet, each alone;

    We could not move a single pace,

    We could not see each other’s face,”

    Moved by the story, and noticing the chain marks on the pillars, Byron carved his initials there. 

    ——————–

    In Lausanne, the pair broke off a sprig of acacia and cast it into the lake, in memory of Edward Gibbon. When I visited Lausanne, to the puzzlement of the man who’d driven me there, I too threw a sprig of acacia into the lake. I suspect that he thought it part of some arcane trade union ritual. 

    He was an employer’s representative, and I enjoyed his company. He told me that he collected Oscar Peterson records and was a little embarrassed by the admission. He delighted me too, when he phoned home to ask his wife how you used a clothes iron.

    ———————

    The Shelleys returned to England in Autumn, having been away for only 6 weeks. Mary had not only begun ‘Frankenstein: The Modern Prometheus’, but also put the finishing touches to her travel journal. It was published anonymously on her return and was titled, ‘History of a Six Week Tour’. The publishers had refused to put her name to it. Shelley, meanwhile, was instructed by his publisher to revise a poem (who demanded 49 alterations). The new title was ‘Revolt of Islam’. What had been written as a harsh critique of European political systems was disguised as something else. Publishers in Regency times lived in fear of libel suits. Ironically, the word Islam appears nowhere in the poem. 

    Numerous publishers rejected Mary’s Frankenstein novel, too. In the end, reluctantly, a small publisher relented. The firm agreed to publish on the condition that Mary was not mentioned as the author. They also required a preface written by Percy. This created the impression that her husband was the author. 

    The hypocrisy of the age was breathtaking, as the scandals of their elopement had barely touched Percy’s reputation, but left a black mark on hers. 500 copies were issued of that first edition, and in recent years, a copy sold for $1.17 million USD. 

    After the Shelleys’ (and Claire’s) departure, Byron headed south to Italy, with the fate of Claire’s baby as yet undecided. 

     ——————–

    In Venice, Byron fell for the countess Teresa Guiccioli, who was already married. Because of his relationship with the countess (and her family), fresh intrigues and scandals soon engulfed him (with the Pope intervening at one point). The countess was ordered by the authorities to return to her father’s home in Ravenna, and Byron followed, beginning work on the ‘Don Juan’ cantos.

    The countess’s family, the Gambas, were members of a secret society (the Carbonari). Along with other nobles, they were plotting to overthrow the Habsburg rulers in Vienna. 

    The coming insurrection, while increasingly a problem for Byron, did little to spoil a welcome period of domesticity (rumours of an assassination plot against him never materialised). The Gamba family, who had sided with Byron over the relationship, were now increasingly under pressure. 

     ——————–

    In 1818, the Shelleys, their two maids plus Claire and her baby Alba, headed for Italy. The next four years are referred to as their ‘nomad years’, and they were also the most productive for Shelley and Byron. For Mary, there was joy, hardship and unimaginable grief. She lost two children during their travels, and her beloved Shelley was later drowned in the Gulf of La Spezia. 

    As the Shelleys and their entourage moved from town to town, they made friends, and the Pisan Circle gathered. Among them were Byron, Jane and Edward Williams, Maria and John Gisborne and the self-proclaimed pirate Edward Trelawny. Although some earlier aspects of Trelawny’s autobiography are regarded with a degree of cynicism, it is well worth reading (see bibliography). He is central to Mary’s story too.

    Meanwhile, sensing the futility of remaining in Ravenna, Byron asked the Shelleys to find him a place in Pisa, and he sent the countess ahead to assist with decorations. When he toured, he took his furniture with him (and numerous animals). It was a supersized version of today’s glamping. Shelley, who lived a spartan existence, felt that the taint of aristocracy was still evident in Byron.

    Once settled in the Palazzo Lanfranchi, the best residence in downtown Pisa, he and Shelley decided to invite Leigh Hunt and his family to join them. The plan to set up a radical newspaper titled The Liberal had originally involved Thomas Moore but, when that fell through, Shelley suggested his friend Hunt. 

    Disagreements soon broke out over the fate of Byron’s and Claire’s daughter Alba (now called Allegra). While Shelley, who had been raising her with his own children, was happy to continue that arrangement, Byron had a convent in mind for her (she died there at age 12). 

    ——————–

    When we left Switzerland, we picked up the Shelleys’ trail as they moved across Italy and we went where they went; principally, Rome, Venice, Pisa, Florence, Lucca and Viareggio. In Pisa we saw the Palazzo Lanfrachi (now called the Palazzo Toscanelli), and on a beach just north of Viareggio, Shelley’s funeral site, I scooped a portion of sand and placed it inside a film canister. 

    ——————–

    The months preceding Shelley’s death were miserable for Mary. She nearly lost her life after a miscarriage and struggled with severe postpartum depression. The living conditions at the Villa Magni, near Lerici, were intolerable. The house lacked amenities and was little more than a fisherman’s shack.

    It was a strange time for Shelley too, as he’d been experiencing frightening hallucinations, but he cheered up at the prospect of seeing his friend Hunt again. Hunt had just arrived in Italy and was waiting in Livorno with Byron. Keen to start the ‘Liberal’ journal, Shelley prepared his new boat and set sail for Livorno with Edward Williams. The craft, named Don Juan, had been made especially for him, but the open design was unsuited for ocean-going. On arrival, Shelley, Hunt and Byron firmed up on their plans and agreed to start as soon as possible. 

    The reunion put Shelley in a more positive frame of mind, and with Williams and a boat boy, he sailed back towards Lerici. Hours after leaving port, the Don Juan was lost in a violent storm which swept across the Gulf of La Spezia. Shelley’s body was washed up 10 days later, and could only be identified by his clothing and the copy of Keats’ poems in a jacket pocket.

    Trelawny built a pyre on the beach and cremated Shelley’s body, removing the poet’s heart from the embers. He later gave the heart to Hunt to preserve. A famous picture by Fournier depicts Trelawny, Hunt and Byron standing by the pyre, with Mary on her knees praying. The depiction is incorrect. Byron left shortly after the pyre was lit; Hunt had not yet arrived; Mary did not attend the funeral. The poet’s ashes were later interred in Rome, and his heart eventually returned to England with Mary.

    Fournier’s depiction underscores a problem for Shelley scholars. Who among his contemporaries and early biographers can be believed? As biographer Edmund Blunden points out; what his friends, Medwin, Hogg, Peacock and Trelawny wrote can’t be accepted without reservation. Adding to the problem are the many literary forgeries created later. Figures like these become mythologised and, with that, the truth blurs. 

    A Tory paper in London wrote this epitaph: ‘Shelley, the writer of some infidel poetry, has been drowned; now he will know whether there is God or no’. Leigh Hunt composed the epitaph for his grave in Rome. It reads: ‘Cor Cordium’ (heart of hearts) and quotes from Shakespeare’s Ariel in The Tempest. ‘Nothing of him that doth fade / But doth suffer a sea change / Into something rich and strange’. 

    ‘He was soon borne away by the waves and lost in darkness and distance’

                                                           Mary Shelley (the last lines from ‘Frankenstein’)

    Footnotes and sources: Mary, who had no desire to remain at the spartan Villa Magni, took a house with the Hunts in Genoa. Both being poor, they shared the rent. Byron took a Palazzo nearby, but before long, he tired of the Hunts’ ‘unruly tribe’ and abandoned the ‘Liberal’ project. Mary stayed in Genoa for another year, surviving on small amounts of transcribing work. Hunt stayed on in Italy for three years, writing essays and translating texts, until a lawsuit forced him back to England. A year after Shelley’s demise, Byron travelled to Greece to fight for Greek emancipation, where he died of a mosquito bite. Claire, footloose, roamed the earth until her old age, eventually settling in Venice. 

    ‘Shelley’ by Francis Thompson, ‘Shelley: A Life Story’ by Edmund Blunden, ‘Byron, Shelley, Hunt & The Liberal’ by William Marshall, ‘Byron, Shelley and their Pisan Circle’ by C L Cline, ‘Byron’s Life, Letters and Journals’ pub. by John Murray, ‘Shelley, Days With the Poet’ by May Byron, ‘Don Juan’ by Byron, ‘Byron’ by Peter Quennell, ‘Byron’s poems’, ‘The Life & Letters of Mary Wollstonecraft Shelley’ by Mrs Julian Marshall, ‘An Autobiography’ by Leigh Hunt, ‘Shelley’s Poetical Works’, ‘Romantic Outlaws’ by Charlotte Gordon, ‘My Leigh Hunt Library & Letters’ by Luther Brewer, ‘Frankenstein; The Modern Prometheus’ by Mary Shelley, ‘Records of Shelley, Byron & the Author’ by Edward Trelawny. Shelley & his World by Claire Tomalin. Byron and the Shelleys by Jane Blumberg – the photographs taken by me as I travelled are: The Villa Diodati, The Chateau d’Chillon, Byron’s graffiti in the dungeon, Dante’s tomb in Ravenna.

    I have often wondered who from that group I would most like to have as a dinner guest. That always brings me back to the affable, pleasant-natured, chatty Hunt. Hunt could come to dinner anytime (but I would need to keep my hands in my pockets, as Hunt was always on the lookout for money). 

  • Following Mary Shelley

    Following Mary Shelley

    Mary Shelley wrote her famous Gothic novel, Frankenstein, over 200 years ago, and it was initially overshadowed by her husband Percy Bysshe Shelley’s fame. In recent years, she and her feminist mother, Mary Wollstonecraft, have come into their own. 

    Anyone interested in Mary Shelley’s life is spoilt for choice these days, and a good place to start would be two recent biographies: ‘In Search of Mary Shelley’ by Fiona Sampson, and ‘Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley’, by Charlotte Gordon. Here, I will offer a personal perspective, one prompted by old books, genealogy, and my travels.  

    Many years ago I lived in Hertfordshire, and whenever I took the train to London, I must have passed St Pancras Old Church. It is a tiny building, nestled between the criss-crossed train lines that feed Kings Cross and St Pancras stations. The church is well hidden and modest, as if hiding itself from the world, while the graveyard, with its overshadowing trees, holds its history close. It was a special place for Mary Shelley, and as it turns out, for two of my ancestors as well.

    A logical place to start is with the writer, Leigh Hunt (1784-1859). He was a contemporary of the Shelleys, a close friend, and a faithful recorder. He shared his home with the Shelleys, attended their wedding, travelled with them during their time in Italy, and was with Mary when her husband’s body was washed up on the beach near Viareggio. He also helped her when she embarked on her writing career. 

    I have a collection of Huntiana, and such a collection brings Shelley holdings. I can’t remember what led me down that path, but I wandered down it; unaware that antiquarian booksellers, with a nose for specialist collectors, were lying in wait. Having picked up my scent, they circled like sirens, and before I knew it, a rare Mary Shelley biography sat in my library.

    The Regency romantics were larger-than-life characters, and Hunt’s circle of friends illustrates that: William Hazlitt, Charles Lamb, Lord Byron, John Keats, Percy Bysshe Shelley, Edward Trelawney, William Godwin, Mary Wollstonecraft and Mary Wollstonecraft Shelley (nee Godwin). As Mary Shelley (1797-1851) is the focus of this piece, I will refer to her simply as Mary from here on. 

    Mary’s life was long and eventful, but her teenage years and her relationship with the poet, Percy Shelley, are of particular interest. I possess a few biographies of Mary, but most importantly, a rare first edition, the first authorised biography, ’The Life and Letters of Mary Wollstonecraft Shelley’. Florence Marshall published the two-volume work in 1889 (authorised by the Shelley family). Mary’s descendants had given the biographer full access to the Shelley Archives, and the resulting two volumes remain a starting point for the subsequent Shelley/Frankenstein publishing industry. After reading it again and digging into a few related areas, I was surprised to learn of a connection between my ancestors and Mary; admittedly, a wafer-thin connection, but I’ll take it, anyhow.

    Mary’s father was the radical philosopher William Godwin and her mother, the feminist, Mary Wollstonecraft. Both Godwin and Wollstonecraft possessed impeccable revolutionary credentials. Wollstonecraft was on the barricades during the French Revolution, and wrote ‘A Vindication of the Rights of Women’; her common-law partner, Godwin, was an anarchistic dissenter who wrote about overthrowing the monarchy. Both supported the French Revolution. The couple were at the centre of London’s radical circles at a time when such views were anathema, and consequently, they were despised by so-called ‘decent society’. 

    At first, Wollstonecraft and Godwin lived openly as an unmarried couple, but they married just before Mary was born; neither believed in marriage, but felt the need to legitimise their child. Wollstonecraft already had a daughter, Fanny, when she met Godwin; the result of a previous relationship. Godwin happily treated the child as his own. 

    In her biography, ‘Shelley and his World’, Claire Tomalin wrote;

    ‘The Godwin household was a genuinely extraordinary one. Godwin himself had risen from quite uneducated parents, through the Dissenting academies [Sandemanians], to become the foremost philosopher of his age. In 1797 he married Mary Wollstonecraft, noted for her belief in women’s rights. She had brought back from France a small daughter, Fanny, by an American businessman who had deserted her’

    Tragically, Mary’s mother died of ‘childbed fever’, just 10 days after giving birth to her, and was laid to rest in the graveyard of St Pancras Old Church (her mother’s grave thereafter becoming a place of refuge for Mary).

    Her father, realising that Mary and her half-sister Fanny needed a mother, married Jane Clairmont, who had a daughter of her own, Claire Clairmont. As she grew up, Mary developed a strong dislike of her stepmother, who treated her poorly, and by the time she’d reached her teen years, she had become openly rebellious. Godwin, who had a good relationship with his daughter and valued her active mind, saw how unhappy she was and grew concerned.

    He also observed her fascination for the young poets and radicals who frequented the house, most of whom were adherents of Godwin’s liberal philosophy. Mary was only 14 years old at the time, and her father, sensing her vulnerability, sent her to Dundee to live with a fellow radical dissenter, William Baxter. The year was 1812.

    Baxter and Godwin had both been raised as dissenting radicals, and the Sandemanians, with their close-knit, interlinked congregations in Dundee and London, were part of that milieu. In Godwin’s view, the Sandemanian Baxter family were the epitome of radicalism. As with Mary’s upbringing, the Baxter girls had a degree of freedom, unusual for the time. It was thought an ideal place for Mary to develop her mind.

    The Baxter house, a large rambling one, overlooked the River Tay, and the family treated Mary as a daughter. While there, she became deeply attached to the younger Baxter girls, Isabel and Christy. In that picturesque location, she developed a love of ‘sublime, wild landscapes’, which she later said provided her a backdrop to her ’Frankenstein’ novel. 

    Other factors during those Dundee years shaped her writing, too. The discovery of Gothic novels and later, Isabel’s sudden breach with the family. Isabel fell in love with a scholar and married outside of the sect, resulting in her banishment. Being separated from her confidant and friend distressed Mary, and that sense of alienation also provided source material for the novel. 

    So here is my connection; although a tenuous one, I’ll admit. My third great-grandmother, Sarah Leighton (1787-1868), a contemporary of Mary’s, was also a Sandemanian. Because sect members were forbidden to marry outsiders, the Baxter and the Leighton families were closely connected by marriage – in three separate ways. So William Baxter and his daughters Isabel and Christy were Sarah Leighton’s cousins. 

    By coincidence (or maybe not), my great-grandmother, Alice (Sarah Leighton’s granddaughter), was married in St Pancras Old Church. As a Sandemanian descendant, she was following a tradition of association with the church.

    That made me wonder how this ancient Anglican church was favoured by the sect. Dissenters, both Catholic and Protestant, appear to have been buried there. According to local historians, its isolation was a factor (it was a rural church outside of London proper in Mary’s time). A second factor is evidenced in its history. It is regarded as one of the oldest Christian sites in Europe, dating back to 314 AD, Romano-British (St Pancras was a 14-year-old Roman Martyr). 

    On Mary’s return to London, aged 16 (1814), she fell in love with the poet, Percy Shelley, who felt the same. He was already married to Harriet Westbrook. Godwin, disapproving, believing her too young for an adult relationship and fearing for her reputation, refused to give his blessing (later biographers have accused him of hypocrisy, but I have some sympathy for him, given the laws of the day).

    The couple were bitterly disappointed and met secretly beside Mary Wollstonecraft’s grave. Months later, along with Mary’s half-sister Claire, they fled to France under false names. As a result of the Napoleonic Wars, France was in a sorry state; food was scarce and accommodation substandard. The trio travelled through France, Switzerland and Germany for several months until the money ran out, returning to England where they faced severe social ostracism and mounting debts.

    The next few years were marred by tragedy; Mary and Percy tried to keep a low profile. Mary became pregnant twice during this period, losing her first child (a girl), and giving birth to a son. Adding to the upheaval, Percy Shelley’s first wife, Harriet, drowned herself in the Serpentine, and a disastrous custody court case followed; Shelley was denied custody on moral grounds. The situation did ease somewhat as the couple were finally able to marry. This repaired their relationship with Godwin, and fortuitously, Shelley inherited a small amount of family money. The years of dodging bailiffs had ended. 

    They were also about to travel to Geneva, where the Frankenstein story begins, but the plan to travel there was not of their own making. Unbeknownst to the Shelleys, Mary’s half-sister Claire Clairmont, was having a secret affair with Lord Byron. Without telling the Shelleys, or for that matter Byron, Claire hatched a plan to ambush Byron in Switzerland. Mary was 18 years old. Shelley was about to depart England forever.

    Sources and observations: ‘The Life & Letters of Mary Shelley’ by Florence Marshall; ‘Godwin on Wollstonecraft’ – Godwin, with a preface by Richard Holmes; ‘Shelley & the Unromantics’ – Olwen Campbell; ‘Shelley & his World’ – Claire Tomalin; ‘An Autobiography’ – Leigh Hunt; ‘The Keats-Shelley Journal’; ‘Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley’ – Charlotte Gordon; ‘The Life & Times of Leigh Hunt’ – Iowa University Hunt Symposium; ‘Shelley’ – A J Symonds. All photographs are the author’s, taken while following Mary’s trail or from his library.  St Pancras Old Church quartered Roundhead troops, served as a burial place for Catholics during the Reformation, and for exiles from the French Revolution. It is now designated as a ‘Chapel of Rest’, in the high-church Anglican tradition. Godwin was also buried there, as was John Polidori (who wrote the first Vampire novel and who is part of Mary’s story). William Godwin’s and Mary Wollstonecraft’s remains were later disinterred and placed alongside Mary’s grave in Bournemouth, leaving Mary’s stepmother Jane to lie alone.

    Part two will look at Frankenstein, Gothic tales spun in Geneva, the Pisan circle, and Shelley’s death in the Gulf of La Spezia. 

  • The Book Eaters

    “Rosenbach records that very young children eat their books, literally devouring their contents, and he gives this as one reason for the scarcity of first editions of Alice in Wonderland”

                          Holbrook Jackson – ‘The Anatomy of Bibliomania’. 

    My library has a collection of books by Umberto Eco, an author, semiotician and one of the world’s foremost authorities on language. His books, whether fiction or non-fiction, examine the historical, political, and cultural forces that have shaped, manipulated, or restricted human communication. 

    In his essay titled ‘Ur-Fascism’, he points out how the Nazis and Fascists used censorship, media manipulation and myth-building to shape their narrative. In a later Eco work, titled ‘This is Not the End of the Book’ (co-authored with Jean-Claude Carrière*), the two men discuss technological threats to the book. Eco argues that the physical book will likely survive the depredations of technology, just as it survived book burnings, censorship and floods, in times past.  

    To illustrate his point, he referenced the CD-ROM (compact disc, read-only memory). Its capacity to store data was so impressive that encyclopaedias were digitised and the printed versions abandoned. There was even speculation that the technology could make physical books redundant. Within a decade and a half, CD-ROM was itself redundant. Anyone wanting to read those interactive encyclopaedias now would need to visit a technology museum. 

     Surviving CD-ROM or e-books is one thing, but surviving AI’s large language models’ appetite for data is quite another. 

    In a recently leaked story, we learned that Anthropic, OpenAI, and others of their ilk have been buying vast quantities of secondhand and antiquarian books, hoovering up the text and then destroying them.  

    In an attempt to conceal this horrendous act of vandalism, the AI companies engaged arms-length intermediaries. Their brief was to scour the second hand and antiquarian bookselling market, posing as private buyers. The books are delivered to clandestine warehouses; truckloads of them. Upon arrival, the books have their backs sliced off by a guillotine, and the disbound pages are conveyed to a copy machine. The books themselves are then trashed by various means. I am tempted to describe it as a ghastly new iteration of the bonfire of the vanities, but the villains here have a different motivation than Girolamo Savonarola. 

    The “why” is not as some might suppose. The AI models are not being fed these old books to increase their knowledge of the past; they are not intending to displace historians or bring a new perspective to classic texts. This is about training the AI models. Anthropic, the worst offender, is in a perpetual race to improve its large language model, Claude; so to achieve that end, it needs ‘clean text’. In AI terms, ‘clean text’ is that found in books printed before 2022. That is the last date that guarantees ‘a pure human-authored baseline’. The project was given the name ‘Panama’, no doubt in reference to the labyrinthine, secretive Panama Papers.

    The AI companies had scraped up every available internet text in no time at all, which gave them unimaginable amounts of data – but with that came a problem. The internet was increasingly filled with AI slop, and that was identified as the main source of AI hallucinations (falsehoods). The irony is that the AI slop was of their own making. They were dogs eating their own vomit. So to avoid that problem, high-quality long-form archives were sought – books printed before 2022 – a ready-made solution.  

    Initially, they intended to purchase the books openly, but then a new problem arose: copyright liability. To avoid paying copyright on that scale, the tech companies sought an exemption from the courts. The courts declined their initial request, but in a subsequent case, a workaround presented itself. Purchasing a physical book and then destroying it straightaway, leaving only the digital text, was deemed to be ‘fair use’.

    As a result, Anthropic decided to scan the texts and destroy the books afterwards. They bulk-purchased books by the pallet and developed Destructive Scanners. These monsters can ingest up to 180 pages a minute. 

    The above practice bears a superficial resemblance to an older destructive practice. After WW2, buying books by the yard became a thing for the first time. When the new money (freshly-knighted supermarket barons) took over the manor houses, they wanted their interiors to look like the interiors of the aristocrats they’d displaced. Agents were employed to buy books by the pallet load – anything with nice spines. The books, though, had to match the colour schemes of the interiors. Book dealers, seeing a way to get rid of unwanted stock, coined the phrase, ‘we sell books by the yard’. This bizarre practice became a running gag among bibliophiles. ‘What a nice collection you have; the spines match your wallpaper perfectly’.

    I will allow Umberto Eco some final words here, as he would have had much to say about the current state of the world. In fact, we don’t need to imagine what he might have said, because his writings are so prescient. * Of his books most relevant to this topic are ‘Faith in Fakes’, ‘The Book of Legendary Lands’, ‘The Mysterious Flame of Queen Loana’, ‘Serendipities: Language & Lunacy’, ‘Travels in Hyperreality’, ‘How to Recognise a Fascist’, and of course, ‘This is Not the End of the Book’. A chapter in the latter is provocatively titled, ‘Our knowledge of the past comes from halfwits, fools and people with a grudge’. 

    And so the Large Language Model AI tech barons may unwittingly be hoovering up ancient-to-modern book slop and falsehoods, believing books past to be a source of unsullied information.

    Carrière: “Do you think that your collections of antiquarian books enable you to enter into some sort of dialogue with the past”?

    Eco: “I only collect books relating to falsities and mistakes, so they are hardly reliable witnesses.”

    Sources and footnotes: Various Umberto Eco publications as indicated; Holbrook Jackson’s ‘Anatomy of Bibliomania ‘; Jean-Claude Carrière wrote the screenplay for the 1962 French/German TV series, The Adventures of Robinson Crusoe; RNZ News printed in the NZ Herald. Eco’s private library was split between two houses, and contained 50,000 books. His Milan library is now open to the public. Book eating is termed bibliophagy.

  • Lost Libraries: Part Two

    Part two of my essay, previously published by Takahē, December 2025

    Part One can be read here

    My descent into biblioclasm

    All ageing book collectors are forced to confront the mortality of their libraries, and the inevitability that most of these libraries will die with them. A private library is an extension of a particular collector’s personality, and, even though the collector’s best books could theoretically survive for a thousand years, the libraries themselves seldom do. Their fate is to give us joy, then quietly vanish. This is how rare books become rare. 

    Some books are more accessible to modern readers than others, and that’s why special collections and private libraries are valuable. They often hold unusual books. They are repositories—seed banks, if you like—telling us who we were, and perhaps who we could be or should not be again. Private libraries are quirky. Each booklover’s library will, over time, have developed a distinct personality of its own. They are places filled with concealed treasures, and each of those treasures itself obscures an untold story—but will those stories ever be told? For the famous, the answer is yes; for the rest, it is unlikely.

    Yet there is nothing that brings on the cold sweats in a bibliophile more than the realisation that their precious library, one that has been amassed over a lifetime, might soon be tipped into a landfill. There are surprisingly few antiquarian booksellers left in my city, and so the rats wait patiently for the day when they can nest in an association copy of a rare first edition. An early Boswell or a private-press treasure makes just as good a nest as a badly written self-help book.

    A friend once told me that he often lay awake at night, the prospect of his collection being disbursed to philistines too much for him to bear, or at least to allow peaceful slumber. I didn’t tell him, but the prospect is worse than that. Many of those beloved books are more than likely to end up in a skip. He was worried that a sharp-eyed antiquarian bookseller would obtain his best books for a pittance and sell them on at a huge profit. My fear is more aligned with reality. That a buyer or an auction house would be shown the collection, select one or two, and declare the rest unsellable. Books should be read. The idea of a book-dealer making a killing at my expense is of little concern, so long as the books are read and loved. 

    But again I return to the idea that value and insight can lie in a particular collection or curation of books as much as in the individual volumes. For this reason, the catalogues detailing writers’ own book collections have always interested me, as their libraries reveal as much about them as their literary output. I have a few such items, including bibliographies, holdings and acquisition records. One of these is Carew Hazlitt’s description of Charles Lamb’s library, complete with bookseller receipts and a record of the books Lamb either lost or gifted. To me, it is a marvellous thing, but who today cares about the painstaking labours of William Hazlitt’s grandson? Who outside of those inhabiting university English departments even knows who Lamb and Hazlitt are?

    The 17th-century collector and first English biographer, John Aubrey FRS, was confronted by what he termed a ‘plaine trueth’ regarding his library. He feared that his manuscripts and books would be lost after his passing, wondering what would become of his ‘pretty things.’ And while he was a modest man, fortunately for us he shared with his less-humble contemporary, Samual Pepys, a taste for gossip. Luckily, the writings of both survived, and the world is glad of it. In Pepys’ case, he feared the opposite: that his often scandalous observations would be read. His scurrilous scribbles were thus carefully encoded, and it took until 1820 for the diaries’ code to be broken—by a vicar based in Baldock, Herts. One wonders what must that vicar have thought when he read the more salacious passages?

    I myself have been the beneficiary of another’s collecting, having many items from Pat Lawlor’s library—signed books, association copies, monographs and ephemera. Lawlor was a journalist, editor, bookseller, writer and noted bibliophile. His name is almost forgotten these days, but he was once a vital part of New Zealand’s literary fabric. Among his friends were the writers Robin Hyde, James K. Baxter, R. A. K. Mason, A. R. D. Fairburn, Eileen Duggan and others. Lawlor had worked as a journalist and editor on numerous publications. Later in his life, during hard times, he operated out of a small office called the Beltane Book Bureau, in the Nathan Building, in Wellington, from where he sold parts of his valuable collection and even model aeroplanes just to keep the wolf from the door. 

    I have a bundle of Lawlor’s papers from that time, neatly bound with white tape, ephemera, print samples and bookplates. I also have books from his library. He was a founding member of PEN (New Zealand), and was partly responsible for getting the Wellington council to protect Katherine Mansfield’s childhood home. It was only after his library had been sold and dispersed that it was realised what an important national treasure had been lost. On the fragments I retain of his marvellous collection, his spidery notes on various endpapers are wonderful; his defacement an enhancement.

    Nicholas Basbanes, in his book A Gentle Madness, referred to the 1980s as the ideal time to collect rare books. Even in New Zealand, it was a high watermark for collectors. I collected during that period, and rare and affordable items could be located if you scanned the market. Basbanes reasoned that it was not until the 1980s that the great Edwardian collections came onto the market. These late Victorian and Edwardian collectors were the stuff of legend; the collectors known as ‘bookmen.’ (Women collected, too, but kept a lower profile.)

    Private collections can be treasure troves. The books in them might not have immediate monetary value, but they hide there, biding their time. Every so often, a delighted researcher will unearth a rarity in an unexpected place, or find a long-lost letter from a literary giant tucked inside granny’s cookbook.

    A librarian in a central public library once confessed to me that many of their significant holdings, those stored in the special stacks, had never been properly examined. When a dealer purchases items from a private library, those books are seldom properly examined either.

    I have a first edition by a once-important author (the aforementioned Dobson) with his handwritten corrections throughout. This had been done so that the printer could make the corrections before the second printing. This carefully annotated copy was passed down for over 100 years; each owner an author, who handed it on to another. Eventually, it ended up in Pat Lawlor’s library. Lawlor in turn gave it to the craft printer Ron Holloway, who gifted it to me. This is both an association copy and one with impeccable provenance. Will it be of interest to someone? Who knows?

    Rarity is created by ignorance and carelessness, although a cunning few have tried to manufacture rarity by hiding or destroying all but a few copies of a work. Capitalising on rarity is also what forgers do. The book world has known a few of those. Those books are collectable, too.

    Ethics, dilemmas and e-books

    Library ‘stacks’ are storage areas where books are stored separately from the shelves the public can readily access. Some libraries grant limited access to their stacks, but generally these areas are accessible only to the librarians. Unofficially, stacks are where books are sent to die. It is an aged-care facility for forgotten print. Private libraries also have stacks (in the guise of cardboard boxes, attics or basements), and I have such a section, one that is shamefully out of control.

    A disciplined collector will catalogue their acquisitions and holdings. A wealthy collector will hire a librarian or an undergraduate to do that for them. For most, though, creating a catalogue is a task seldom completed. The only list of holdings I have is a failed attempt, later appended to a ‘to-do’ list, which in turn was lost in the archives of an old, inoperable computer. 

    It is a fact of life that all modern libraries must discard books. Our National Library is in the process of purging almost everything in its holdings that is not related to New Zealand. There will be an attempt to re-home a few, offer them to overseas libraries, but most are destined for the shredder. I once purchased a handful of gorgeous half-bound leather books that had been purged from the Parliamentary Library, among them an Andrew Lang. 

    Having more books than I could accommodate, I knew the day of reckoning was here; it was time for a serious book purge. I needed a nudge to get started, and the nudge came when family members paid for a nice built-in bookcase. It was not easy sorting the books into ‘keep’ or ‘sell’ piles, but I did so, worried about the burden my children would face if I neglected the task. They live in other countries and have their own collections.

    As I thinned, I loaded quite a few into rubbish sacks and paid a junk collector to take them away. He assured me that he would re-home as many as possible to care homes. Others were just binned — the dismembered and the commonplace. I had become a biblioclast. 

    I had also set aside what I thought were the more saleable discard items. I loaded them into my car and visited a few second-hand and antiquarian booksellers. There are very few remaining in Auckland, and those that remain face the same storage problems I do. One shook his head sadly at the sight of my boxes and rejected most of them. The ‘baby boomers,’ according to him, are the last book-collecting generation. His shop and the containers behind his shop were stacked with boomers’ collections. He had reached his limit. The second buyer I approached was closing down; now, a few months later, both are gone. Two of the premier Wellington buyer/sellers, John Quilter and Rowan Gibbs, have also left the business. All that remains is the drawn-out hassle of selling piecemeal on TradeMe or eBay.

    There are still millions of books being written and sold: the book is not in decline. The problem is not their number, but their distribution and the disruptor technologies (here we must factor in the ubiquitous e-book). The unpalatable truth about e-books and online sales is that they have caused fragmentation, a disjunction between seller and buyer. The pleasure of drifting into an antiquarian bookshop, inhaling the smell of old books and embarking on a voyage of discovery is fast becoming a thing of the past. The serendipitous pleasure of stumbling upon a treasure that you were not looking for has been overridden by Amazon rankings. Bots instruct us what to buy and which online sites stock their ranked recommendations. 

    When you buy an e-book, you get ugly fonts and appalling typography because the lines fall in ways not intended, with the text either squashed or stretched out to fit the allotted text grid. No rivers of prose meandering down the middle of a craft paper page, no wide margins, no texture, no deckled edges. T. E. Lawrence, when publishing Seven Pillars of Wisdom, set up a camp-bed in the printery so he could be there to ensure that the lines fell exactly on the page as they should. I published a physical poetry book, but when an e-book version came out the lines fell in all the wrong places. Poetry lines must flow exactly as intended; it is word breathing, and HTML cannot do that.

    And worse, when you buy an e-book you have only purchased a limited right to read it. It is not yours to give to a friend, and, if you read the fine print, the rights holder (the e-publisher) can remove it from your collection at any time. This harms the second-hand book trade. Why buy an out-of-print book when an e-book beckons? This is a disaster for those selling books like mine, so I will wait for the finer weather and construct a roadside bookstall in the hope that the offer of free books will attract a passerby or two. My last recourse will be a skip.

    A new bookcase and a library of the humanities

    The inevitability of book destruction is a depressing topic, but there is a ready cure. Install and populate an additional bookcase to delay the inevitable. As long as I can remember, I have wanted a floor-to-ceiling, wall-to-wall, white bookcase. Now I have one. It was constructed by Ronnie the builder, a delightful man who measured and ruminated in turns, often singing as he worked. We loved having Ronnie in the house.

    My youthful self had made bookcases using pilfered bricks and planks, and, although they did the job, they rarely rose above waist-height; any higher invited collapse. Later, I purchased a few second-hand bookshelves, the sort designed for people who have no real understanding of book sizes. The shelves were either barely able to accommodate large-format trade paperbacks or designed for large-format encyclopaedias.

    A bespoke bookshelf is a thing of wonder, designed around a collection and able to accommodate the various formats. Some years ago I designed and built a large bookshelf for the living room, where it still has pride of place. My design criteria, though, were focused on aesthetics, not structural integrity, so the shelves are so long that they sag in the middle. They require central support, but that would necessitate de-booking, and so that project, like my cataloguing attempts, is parked on a ‘to-do’ list. 

    The most exciting aspect of acquiring library space is the fun of sorting and populating the new shelves. I have my own method, and so, although I have the deepest respect for the time-honoured system, I intend to take a different route. The first-known librarian, Demetrius, was the head librarian in ancient Alexandria. He preceded Dewey by over 2,000 years, creating a cataloguing system that libraries rely on today. Demetrius and Dewey notwithstanding, I will use my own system. My librarian friends will be dismayed when they read this, which is why I have not sought their advice. Spy-fiction writer, Mick Herron, has similar views which he revealed during a recent New York Times interview. When asked how he organised his books, he quickly replied: ‘How would that work?’ 

    It is a topic that I have often considered, but there is no one right answer. When it comes to book organisation, I am influenced by Jonathan Swift, who wrote ‘The Battle of the Books’ (‎1697), and especially by Gilbert Fabes, who wrote ‘The Autobiography of a Book.’ Both Swift and Fabes have pointed out the dangers in letting incompatible books sit side-by-side. If you subscribe to the view that books are living entities, then their psychological welfare becomes a consideration.

    Mine is a library of the humanities, and almost none of my collection falls outside of that sphere. It is the sort of library that National Party ministers despair at. There are no inspiring books by industrialists, practical guides to wealth creation or books to prepare you for the job market. Instead, it is awash with history books, jazz books, the works of dead philosophers, canonical literature, and poetry. Worse, there are books on books, lots of them. As far as I know, prospective employers never quiz job applicants on the finer points raised in John Carter’s enquiries into 19th-century book forgery.

    My new shelves are bright and cheery, and not the best setting for my antiquarian books. Those are situated on more austere shelves, with the best of them cosseted within a glass-fronted case. I wanted a place for the books I consult often, my overflow poetry, ancient and modern history books, and hard-to-categorise books such as my Buddhist commentaries and sutras. It is an everyday library. I will now hunt for a suitable chair to place beside it, and if I want to research something I will sit there, in a place where books recommend other books. 

    Many of my favourite paperbacks are there, most of the spines looking well-worn. Almost all of the (now tatty) Penguin Modern Poets series, a few scuffed old Dickens hardbacks, none of which look as though they mind sharing shelf-space with shiny new books. I have a Joan Didion section reclining between Umberto Eco and the Beat women poets. They are among friends, and that is what counts. 

    I do have a few broad categories, such as ancient Greece and Rome, or canonical literature, but I bend the rules and never arrange them in alphabetical order within the section. They are not the 801.4 sort of books. Placing Browning close to Baudelaire just feels wrong. Unlike an engineering library, a library of the humanities will never date—unless the rats are given access.

    In this 21st century, I am Eliot’s old man in a dry month, waiting for rain—who knows which of these lovely books will survive the drought? I wrote the poem below a few years ago; later, performing it with a notable jazz musician. It feels fitting to end this essay with it.

    You have to wonder why some words,
    lose their way, can’t find an ear,
    but fall short, while others hang,
    suspended in a spider’s web;
    words set aside, then quite forgotten,
    stuck in an orphanage for lost print,
    dying by degrees in some yellowing stack,
    while expurgating rats move in.
    Musician’s words, though, stay intact
    as pencilled charts inscribed like runes.
    Though the meanings are lost to all
    but the cats, you have to wonder at that.
    And why some words just dance your soul
    while others hit with a dismal clunk.
    They miss their mark, they splutter
    and crash, you have to wonder at that.

    John Fenton, Spring 2025

    Aubrey, John. Lives of Eminent Men: Literary lives (Hesperus Classics).
    Basbanes, Nicholas. A Gentle Madness (Henry Holt).
    Bracciolini, Poggius. Two Renaissance Book Hunters: The letters of Poggius Bracciolini to Nicolaus de Niccolis(trans. Phyllis Goodhart Gordan) (Columbia University Press).
    Burton, Robert. The Anatomy of Melancholy (Chatto & Windus).
    Carelli, Marie. The Marie Carelli Birthday Book (Hutcherson & Co) (my great-grandmother’s copy).
    Carter, John. ABC for Book Collectors (Granada Publishing).
    Dalrymple, William. The Golden Road: How India transformed the world (Bloomsbury).
    de Bury, Richard.The Philobiblon: A treatise on the love of books (Chatto & Windus, miniature facsimile).
    Dobson, Austin. A Bookman’s Budget (Humphrey Milford, Oxford University Press).
    Eliot, T. S. The Collected Works of T.S. Eliot (Faber & Faber).
    Fabes, Gilbert. The Autobiography of a Book (The Elzevier Press).
    Fenton, John. Dancing Between the Notes (Ex Libris Publishing).
    Gosse, Edmund. Gossip in a Library (William Heinemann).
    Hazlitt, W. C. The Lambs: Their lives, their friends, and their correspondence (Elkin Mathews).
    Henri, Adrian, Roger McGough and Brian Patten The Mersey Sound (Penguin Modern Classics).
    Holloway, Kay. Meet me at the Press (Griffin Press); signed by the author and printer.
    Jackson, Holbrook. The Anatomy of Bibliomania (Faber & Faber).
    Lang, Andrew. Adventures Among Books (Longmans, Green & Co.).
    Lang, Andrew (ed.). The Ballad of Books (Longmans, Green & Co.); Parliamentary binding.
    Lawlor, Pat. Confessions of a Journalist (Whitcombe & Tombs).
    Lawrence, T. E. Seven Pillars of Wisdom (Doubleday & Doran).
    Minsky, Jeanette. Sir Aurel Stein: Archaeological explorer (University of Chicago Press).
    Netz, Reviel and William Noel The Archimedes Codex: Revealing the secrets of the world’s greatest palimpsest(Phoenix).
    Shakespeare, William. The Comedies of William Shakespeare—Victorian facsimile of First Folio (authorised by Royal assent).
    Stein, Aurel. The Thousand Buddhas (Project Gutenberg PDF).
    Swift, Jonathan. The Battle of the Books (Chatto & Windus).
    Tylden-Wright, David. John Aubrey: A life (HarperCollins).
    Vallejo, Irene. Papyrus: The invention of books in the ancient world (Knopf).
    Waley, Arthur. A Hundred and Seventy Chinese Poems (Constable & Company).
    Wood, Michael. The Story of China (Simon & Schuster).